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THE RESCUE OF THE EFFECTS – Notes for a Theory of the Reader

// Opening: January 19, 20:00.

// Aditional opening hours: January 20 – 22, 15:00 – 19:00.
// General Public, Schönhauser Allee 167c, 10435
With: Daniel G. Andújar, Sol Calero, Constant Dullaart, Embankment, Herzbeat hotel, Bettina Hutschek, Jeleton, Christopher Kline, Phanos Kyriacou, Regina de Miguel, Alexandra Navratil, Paloma Polo, Teresa Solar, Poderes Unidos and JODI.
In a landscape where reality has long ceased to be seen without the presence of auxiliary instruments, which constructs at the same time its registration and setting it up as an archive, the experience does not conform directly in contact with the world but as a mediated doppelgänger. In this type of situation we should not forget that each of the disseminating and accumulating structures that support the architecture of the information is itself a technology with a built-in ideological organisational criteria, of inclusion and exclusion.
This project is built from reflections on creative reading with an active attitude regarding materials from libraries, archives, collections or found-materials establishing with a critical fascination  series of narrative itineraries that discover hidden relationships from the intra-history, the creation of fictions and the infraordinary to practice a critical reading of their architecture, an anarcheology of the structures of knowledge and the everyday-life as well as an analysis of structures of consciousness formation.  
This research tries to present projects that blur the boundaries between the practice of curators, historians, researchers, cultural producers and artists. Thus, located in this area of indistinct borders, it essays a significant rearrangement of the cultural materials that restate the questions to be undertaken, as well as the focus of interest. In fact, all the participating artists are engaged to or from several disciplines: in addition to the context of art itself, speak of their work also located in editing, research, music creation, educational programmes, curating, organising events and reflecting on exhibition spaces.
These are works that start at the same time questioning both the analysis of content as the actual means of implementation and presentation: devices, methodologies, materials selection, editing, exhibition strategies or building space.
A project by Lorenzo Sandoval. 

Collaborator: Spanische Botschaft

An artist who uses irony and presentation strategies that employ new communication technologies to question the democratic and equalitarian promises of these media and criticise the desire for control lying behind their apparent transparency. Based on the confirmation that new information and communication technologies are transforming our everyday life, Daniel G. Andújar created a fiction (Technologies To The People, 1996) designed to make us increase our awareness of the reality around us and of the deception in promises of free choice that are converted, irremissibly, into new forms of control and inequality. A long-time member of i rational.org (international reference point for art on the web) and founder of Technologies To The People , he is the creator of numerous projects on the Internet such as art-net-dortmund, e-barcelona.org, e-valencia.org, e-seoul.org, e-wac.org, e-sevilla.org, Materiales de artista, etc. He has directed numerous workshops for artists and social collectives in different countries.

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