Daniel G. Andujar Archive

26/04/2013

CatalÃ , Chinese, Czech, Dansk, Deutsch, English, EspaÃ±ol, Euskera, FranÃ§ais, Galego, Italiano, Korean, LietuviÅ³, Norsk, RomÃ¢nÄƒ, Srpski, TÃ¼rkÃ§e

Acts of Voicing: on the Poetics and Politics of the Voice. Total Museum Seoul

Acts of Voicing: on the Poetics and Politics of the Voice â–¡ ì¼ì •/Date: 2013.05.02-06.30 â–¡ ì˜¤í”„ë‹/Opening: 2013.05.02 6pm â–¡ íë ˆì´í„°:Â ì‹ ë³´ìŠ¬,Â ì´ë¦¬ìŠ¤ ë“œë ˆìŠ¬ëŸ¬,Â í•œìŠ¤Â D.Â í¬ë¦¬ìŠ¤íŠ¸,Â í¬ë¦¬ìŠ¤í‹°ì•™ íŽ˜í„°ìŠ¨ â–¡ ì°¸ì—¬ìž‘ê°€: ë°”ë‹ˆ ì•„ë¹„ë””,Â ë‹¤ë‹ˆì—˜ ê°€ë¥´ì‹œì•„ ì•™ë‘í•˜ë¥´,Â ìœ íˆ¬ë¸Œ ë™ì˜ìƒÂ (ìµëª…ì˜ ìž‘ê°€),Â ì¡´ ë°œë°ì‚¬ë¦¬,Â ì‚¬ë¬´ì—˜ ë² ì¼€íŠ¸,Â ì´ë„¤ìŠ¤ ë„ìš°ì•½,Â í›„ì•ˆ ë§ˆë‰´ì—˜ ì—ì°¨ë°”ë¦¬ì•„,Â íŒ€ ì—ì²¼,Â ë¼ì´ë„ˆ ê°€ë‚ ,Â ê²Œë¦¬ íž,Â ëž€ì§“ í˜¸ìŠ¤ì½”í…Œ,Â ìŸˆí¬ ë¼ìº‰,Â ìž„ë¯¼ìš±,Â ë§ˆë¼ ë§ˆì¸„ìŠ¤ì¹´,Â í˜¸ì„¸ íŽ˜ë ˆì¦ˆ ì˜¤ì¹´ë‚˜,Â ì˜¥ì¸ì½œë ‰í‹°ë¸Œ,Â ì•™ë¦¬ ì‚´ë¼,Â ì´ëª¨ê² ìŠ¤í‹°ë“œì›Œì‹œ,Â ë¼ì‚¬

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11/09/2012

CatalÃ , Chinese, Czech, Dansk, Deutsch, English, EspaÃ±ol, Euskera, FranÃ§ais, Galego, Italiano, Korean, LietuviÅ³, Norsk, RomÃ¢nÄƒ, Srpski, TÃ¼rkÃ§e

Jeju Roadshow

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19/08/2010

English, Korean

Postcapital Goyang Studio, National Museum of Contemporary Art, Korea

Postcapital Archive (1989-2001) Daniel G AndÃºjar 13th. August -12th.September Goyang Studio, National Museum of Contemporary Art, Korea

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11/06/2010

English

Postcapital Archive, Seoul extended till June 20, Istanbul till June 27

Postcapital Archive (1989-2001) A Project by Daniel G. AndÃºjar / Technologies To The People curated by Hans D. Christ, Nathalie Boseul Shin Total Museum of Contemporary Art, Seoul Exhibition will be extended till June 20, 2010 Postcapital Archive (1989-2001) curated by Basak Senova April 21 - June 27, 2010 Opal Contemporary Art Space, Istanbul ExhibitionÂ till June 27, 2010 Daniel Garcia Andujarâ€™s project Postcapital Archive 1989-2001 functions as a multimedia installation and open databank which is based on a digital archive of over 250,000 documents such as texts, audio files, and videos from the Internet compiled by the artist over the past ten years. "Postcapital" addresses social, political, economic, and cultural worldwide changes over the last two decades in between two important moments as 1989 fall of the Berlin Wall and the attacks on September 11, 2001. With the Postcapital Archive 1989-2001 project, Daniel Garcia Andujar calls attention to â€œnetworked archivesâ€ based on the interpretation of information.

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03/06/2010

Korean

<í¬ìŠ¤íŠ¸ìºí”¼íƒˆ ì•„ì¹´ì´ë¸Œ 1989-2001>ë¥¼ í†µí•´ë³´ëŠ” ì˜ˆìˆ , í˜¹ì€ ë””ìžì¸ì˜ ì‚¬íšŒì ì—í• ì— ëŒ€í•œ ë‹¨ìƒ

<í¬ìŠ¤íŠ¸ìºí”¼íƒˆ ì•„ì¹´ì´ë¸Œ 1989-2001>ë¥¼ í†µí•´ë³´ëŠ” ì˜ˆìˆ , í˜¹ì€ ë””ìžì¸ì˜ ì‚¬íšŒì ì—í• ì— ëŒ€í•œ ë‹¨ìƒ ê¸€Â ì‹ ë³´ìŠ¬, designdb ë°”ì•¼íë¡œ ì´ë¯¸ì§€ê°€ í™ìˆ˜ë¥¼ ì´ë£¨ëŠ” ì‹œëŒ€ë‹¤. ìš”ì¦˜ì˜ ì„œìš¸ì—ì„œëŠ” ë”ë”ìš± ê·¸ë ‡ë‹¤. ê°¤ëŸ¬ë¦¬ë‚˜ ë¯¸ìˆ ê´€ì—ì„œ ì—´ë¦¬ëŠ” ì „ì‹œì˜ ì‹œê°ì˜ˆìˆ ì´ë¯¸ì§€ëŠ” ë¬¼ë¡ , ì„¸ê³„ ë””ìžì¸ ìˆ˜ë„ë¥¼ ë§žì´í•˜ì—¬ ë„ì‹œ ê³³ê³³ì—ëŠ” ì˜¨ê°– â€˜ë””ìžì¸â€™ ì´ë¯¸ì§€ë“¤ì´ ë²”ëžŒí•œë‹¤. ê·¸ëŸ°ë° ì—¬ê¸°ì—ì„œ í•œ ê°€ì§€ ì˜ë¬¸ì´ ìƒê¸´ë‹¤. ë„ëŒ€ì²´ ì´ ë§Žì€ ì´ë¯¸ì§€ë“¤ì´ ìš°ë¦¬ì—ê²Œ ë§í•˜ë ¤ëŠ” ê²ƒì€ ë¬´ì—‡ì¼ê¹Œ? ê·¸ì € ì•„ë¦„ë‹¤ìš´ ìž‘í’ˆ, ì•„ë‹ˆë©´ ì˜ˆì˜ê²Œ í¬ìž¥ëœ ê°„íŒê³¼ ë„ë¡œ ê°€íŒëŒ€, í˜¹ì€ ê³µê³µì„±ì´ë¼ëŠ” ì´ë¦„ìœ¼ë¡œ ë¯¸í™”ëœ ê³µê³µë¯¸ìˆ ì€ ê·¸ ì•„ë¦„ë‹µê³ ì˜ˆìœ, í˜¹ì€ ê³µê³µì ì¸ ì¡´ìž¬ ìžì²´ë¡œ ì˜ë¯¸ë¥¼ ê°–ëŠ”ê°€? ê·¸ì € ìƒ‰ì¹ í•˜ê³ ìƒˆë¡ê²Œ ê¾¸ë¯¸ëŠ” ê²ƒì´ ì˜ˆìˆ ê³¼ ë””ìžì¸ì˜ ì˜ë¯¸ê°€ ì•„ë‹ˆë¼ë©´, ë”ê°€ ê¼¼ê¼¼ížˆ ë”°ì ¸ë´ì•¼ í•˜ì§€ ì•Šì„ê¹Œ? ì´ëŸ° ëŒ€ë‹µ ì—†ëŠ” ì§ˆë¬¸ë“¤ì´ ë§‰ë‹¤ë¥¸ ê³¨ëª©ì— ë¶€ë”ªí˜”ì„ ë•Œ, <í¬ìŠ¤íŠ¸ìºí”¼íƒˆ ì•„ì¹´ì´ë¸Œ Postcapital Archive 1989-2001>(ì´í•˜ <í¬ìŠ¤íŠ¸ìºí”¼íƒˆ>)ë¼ëŠ” í”„ë¡œì íŠ¸ë¥¼ ì¤€ë¹„í•˜ê²Œ ë˜ì—ˆë‹¤. ê·¸ë¦¼ 1. <í¬ìŠ¤íŠ¸ìºí”¼íƒˆ> í”„ë¡œì íŠ¸ì˜ í† íƒˆë¯¸ìˆ ê´€ ì „ì‹œ ì „ê²½, photoÂ by Hans D. Christ

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21/05/2010

Korean

ì¸í„°ë„· ëˆ„ë²¼ ì§œê¹ê¸°í•œ â€˜ìžë³¸ì£¼ì˜ ê·¸ë¦¼ìžâ€™ â€˜í¬ìŠ¤íŠ¸ìºí”¼ íƒˆâ€¦â€™ ì—° ìŠ¤íŽ˜ì¸ ìž‘ê°€ ì•ˆë‘í•˜ë¥´

90ë…„ëŒ€ ì´í›„ ì •ì¹˜ì ì´ë¯¸ì§€ ëª¨ì•„ ì„¸ê³„ìˆœíšŒ 9Â·11 ë“± ì£¼ìš”ì‚¬ê±´ ë¹„íŒì í•´ì„ ê´€ê°ê³¼ ê³µìœ ë…¸í˜•ì„ ê¸°ìž nuge@hani.co.kr, ì‚¬ì§„ ë…¸ìˆœíƒ ìž‘ê°€ hani.co.kr Â» ì „ì‹œìž¥ 1ì¸µ ê°„ì´ ì•„ì¹´ì´ë¸Œì— ì•‰ì€ ë‹¤ë‹ˆì—˜ ê°€ë¥´ì‹œì•„ ì•ˆë‘í•˜ë¥´. ë’¤íŽ¸ì— ê·¸ì˜ ìž‘í’ˆì¸ ì´ë¯¸ì§€ ì—°ëŒ€í‘œë“¤ì´ ë³´ì¸ë‹¤. â€œì´ë¯¸ ìš°ë¦¬ ì‚¬ëŠ” ì„¸ìƒì€ ì´ë¯¸ì§€, ì •ë³´ ë„ì„œê´€ì´ ëì–´ìš”. ë‹¹ì—°ížˆ ì´ë¯¸ì§€ ìƒì‚°ë³´ë‹¤ ì–´ë–»ê²Œ í•´ì„í•˜ëŠëƒê°€ ë” ì¤‘ìš”í•˜ì£ . â€ ê·¸ëŠ” ìž‘ê°€ë¼ê¸°ë³´ë‹¤ ì˜¨ì„¸ê³„ ì¸í„°ë„·ì„ ëˆ„ë¹„ëŠ” ì´ë¯¸ì§€ ì±„ì§‘ê°€ë‹¤. ì„¸ê³„ì˜ ì˜¨ê°– ì‚¬ê±´, ê´‘ê³ ë“±ì˜ ì´ë¯¸ì§€ë“¤ì„ ë¶€ì§€ëŸ°ížˆ ê¸ì–´ëª¨ì•„ ì§œê¹ê¸°í•˜ê³ ì „ì‹œë¡œ í¬ìž¥í•´ 2ë…„ì—¬ ì „ë¶€í„° ì„¸ê³„ ê³³ê³³ì„ ëŒë©° ìˆœíšŒì „ì„ ì—´ê³ ìžˆë‹¤. ê·¸ì˜ ì •ì²´ê°€ ë˜ê¹Œ? ë‚´ê³µì´ ê°„ë‹¨ì¹˜ ì•Šë‹¤. ì›¹ ì´ë¯¸ì§€ë¡œ 90ë…„ëŒ€ ì´í›„ ìžë³¸ì£¼ì˜ë¥¼ ì„±ì°°í•œë‹¤ëŠ” ì§„ì§€í•œ í™”ë‘ì™€ ì „ì‹œ ì½˜í…ì¸ ë¥¼ ì›¹ìƒì—ì„œ ê´€ê°ì—ê²Œ 100% ê°œë°©í•œë‹¤ëŠ” ë‚˜ëˆ” ì •ì‹ ì´ ìžˆë‹¤. ê´€ê°ë“¤ì€ ìƒˆ ì´ë¯¸ì§€ë¥¼ ë§ë¶™ì—¬ì£¼ëŠ” ë™ë£Œ ê²¸ ì¡°ë ¥ìžê°€ ëœë‹¤.

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08/05/2010

English, Korean

Postcapital Archive Seoul Opening 14.May 2010, 6pm

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30/04/2010

English, EspaÃ±ol, Korean

Postcapital Archive Seoul. 14. May 2010 13 June 2010. Total Museum of Contemporary Art

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27/02/2010

Korean

2010 January special – New Decade, Hot Artist 29

New Decade. Hot Artist 29.pdf file 2010 January special - New Decade, Hot Artist 29 ìƒˆë¡œìš´ 10ë…„, ìƒˆë¡œìš´ ë¹„ì „ íë ˆì´í„°ê°€ ë½‘ì€ ë– ì˜¤ë¥´ëŠ” ìž‘ê°€ 29ì¸ ê¸€|íŽ¸ì§‘ë¶€ ë¶€ í‘¼ ë§ˆìŒì„ ëŒì–´ì•ˆê³ â€˜ë‰´ ë°€ë ˆë‹ˆì—„â€™ì„ ë§žì´í•œ ì§€ë„ 10ë…„ì´ ì§€ë‚¬ë‹¤. ê·¸ 10ë…„ ë™ì•ˆ ë™ì‹œëŒ€ ì˜ˆìˆ ì€ ê¸€ë¡œë²Œë¦¬ì¦˜ì˜ ì •ì°©, ì‹ ìžìœ ì£¼ì˜ì˜ ë²”ëžŒ, í…Œí¬ë†€ëŸ¬ì§€ì˜

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23/08/2009

Korean

á„‡á…µá„‹á…¦á†«á„‚á…¡á†¯á„…á…¦á„‹á…¦ á„ƒá…¢á„’á…¡á†« á„ƒá…©á„Œá…¥á†«, á„’á…©á†¨á„‹á…³á†« á„‰á…¢á„…á…©á„‹á…®á†« á„’á…§á†¼á„‰á…µá†¨á„Œá…¥á†¨ á„‰á…µá†¯á„’á…¥á†· -á„á…¡á„á…¡á†¯á„…á…©á„‚á…µá„‹á…¡ á„‘á…¡á„‡á…µá†¯á„…á…µá„‹á…©á†«

á„€á…³á†¯â–®á„‰á…µá†«á„‡á…©á„‰á…³á†¯(á„á…²á„…á…¦á„‹á…µá„á…¥, á„á…©á„á…¡á†¯á„†á…µá„‰á…®á†¯á„€á…ªá†«) á„†á…¢á„‡á…¥á†« á„‚á…³á„á…µá„‚á…³á†« á„€á…¥á†ºá„‹á…µá„Œá…µá„†á…¡á†«, á„‡á…µá„‹á…¦á†«á„‚á…¡á†¯á„…á…¦á„‚á…³á†« á„‚á…³á†¯ á„€á…µá†·á„ˆá…¡á„Œá…µá†« á„‰á…¡á„‹á…µá„ƒá…¡ á„€á…¡á‡€á„ƒá…¡. á„€á…ªá†¼á„Œá…®/á„‡á…®á„‰á…¡á†«á„ƒá…³á†¼á„‹á…´ á„’á…¡á†«á„€á…®á†¨á„‡á…µá„‹á…¦á†«á„‚á…¡á†¯á„…á…¦á„‚á…³á†« á„†á…®á†¯á„…á…©á†«á„‹á…µá„€á…© á„‡á…µá„‹á…¦á†«á„‚á…¡á†¯á„…á…¦á„‹á…´ á„á…©á†¾á„‹á…µá„…á…¡ á„’á…¡á†¯ á„‰á…® á„‹á…µá†»á„‚á…³á†« á„‡á…¦á„‚á…µá„‰á…³ á„‡á…µá„‹á…¦á†«á„‚á…¡á†¯á„…á…¦ á„‹á…§á†¨á„‰á…µ á„á…³á„€á…¦ á„ƒá…¡á„…á…³á„Œá…µ á„‹á…¡á†á„‹á…¡á†»á„ƒá…¡. á„‹á…¡á„†á…®á„á…³á†«. á„€á…³á„…á…¥á†·á„‹á…¦á„ƒá…© á„‡á…®á†¯á„€á…®á„’á…¡á„€á…© á„‹á…¨á„‰á…®á†¯á„‹á…µ á„‰á…¦á„€á…¨á„…á…³á†¯ á„‡á…¡á†«á„‹á…§á†¼á„’á…¡á„€á…© á„‹á…µá†»á„ƒá…¡á„‚á…³á†« á„Œá…³á†¼á„†á…§á†¼á„‹á…³á†¯ á„á…©á†¼á„’á…¢á„‰á…¥ á„Œá…©á†«á„Œá…¢á„€á…¡á†·á„‹á…³á†¯ á„ƒá…³á„…á…¥á„‚á…¢á„€á…© á„‰á…µá‡á„‹á…¥á†»á„‚á…³á†«á„Œá…µ á„‹á…©á†¯ á„‡á…¦á„‚á…µá„‰á…³ á„‡á…µá„‹á…¦á†«á„‚á…¡á†¯á„…á…¦á„‚á…³á†« á„‰á…¦á„‰á…¡á†¼ á„ƒá…©á†¯á„‹á…¡á„€á…¡á„‚á…³á†« á„‘á…¡á†«á„€á…ª á„á…³á„€á…¦ á„ƒá…¡á„…á…³á„Œá…µ á„‹á…¡á†á„‹á…¡á†»á„ƒá…¡. á„ƒá…®á„‡á…¡á„‹á…µ, á„‹á…¡á„‡á…®á„ƒá…¡á„‡á…µ á„‹á…´ á„€á…¥á†«á„‰á…¥á†¯ á„‡á…®á†·á„‹á…³á†¯ á„‡á…¡á†«á„‹á…§á†¼á„’á…¡á„ƒá…³á†º á„ƒá…¡á„‹á…£á†¼á„’á…¡á†« á„‘á…³á„…á…©á„Œá…¦á†¨á„á…³á„€á…¡ á„‰á…©á„€á…¢á„ƒá…¬á„‹á…¥á†»á„ƒá…¡. á„Œá…¥á†«á„‰á…µá„…á…¡á„€á…µ á„‡á…©á„ƒá…¡á„‚á…³á†« á„ƒá…©á„‰á…µ á„‘á…³á„…á…©á„†á…©á„‰á…§á†« á„‡á…®á„‰á…³á„€á…¡á‡€á„‹á…³á†« á„‚á…³á„á…µá†·á„‹á…µ á„Œá…©á†· á„ƒá…¥ á„†á…¡á†á„‹á…µ á„ƒá…³á†¯á„‹á…¥á†»á„Œá…µá„†á…¡á†«, á„Œá…®á†¼á„ƒá…©á†¼ á„‡á…¡á„…á…¡á†·á„‹á…³á†« á„‡á…¦á„‚á…µá„‰á…³á„‹á…¦á„‰á…¥á„ƒá…© á„’á…ªá†¨á„‹á…µá†«á„’á…¡á†¯ á„‰á…® á„‹á…µá†»á„‹á…¥á†»á„ƒá…¡. á„€á…³ á„ˆá…®á†« á„‹á…¡á„‚á…µá„…á…¡, á„…á…¥á„‰á…µá„‹á…¡ á„‹á…©á†¯á„…á…µá„€á…¡á„…á…³á„’á…³ á„Œá…µá†¸á„‹á…¡á†«á„‹á…¦á„‰á…¥ á„†á…¡á†«á„ƒá…³á†¯á„‹á…¥á†»á„ƒá…¡á„‚á…³á†« á„‰á…©á„†á…®á†«á„‹á…´ á„Œá…¥á†«á„‰á…µá„ƒá…© á„‹á…µá†»á„‹á…¥á†»á„‹á…³á„†á…§, á„€á…®á†¨á„€á…¡á„€á…ªá†«á„ƒá…³á†¯á„‹á…³á†« á„€á…§á†¼á„Œá…¢á†¼á„Œá…¥á†¨á„‹á…³á„…á…© M&Aá„…á…³á†¯ á„’á…¡á„ƒá…³á†º á„á…©á†¼á„’á…¡á†¸á„€á…ª á„€á…®á†¨á„€á…¡ á„€á…¢á„‚á…§á†·á„€á…ª á„†á…®á„€á…ªá†«á„’á…¡á†« á„Œá…¥á†«á„‰á…µá„ƒá…³á†¯á„‹á…µ á„‘á…§á†¯á„Žá…§á„Œá…§á†»á„ƒá…¡. á„‹á…µá„ƒá…³á†¯á„‹á…³á†« 100 á„‚á…§á†«á„‹á…µ á„‚á…¥á†·á„‚á…³á†« á„‡á…µá„‹á…¦á†«á„‚á…¡á†¯á„…á…¦á„‹á…´ á„Œá…¥á†«á„á…©á†¼á„‹á…¦ á„ƒá…¢á„’á…¡á†« á„ƒá…©á„Œá…¥á†«á„Žá…¥á„…á…¥á†· á„‡á…©á„‹á…µá„€á…µá„ƒá…© á„’á…¢á†»á„€á…©, á„‰á…µá†¨á„‰á…¡á†¼á„’á…¢á„Œá…µá†« á„á…³á†¯á„‹á…¦á„‰á…¥ á„‡á…¥á†ºá„‹á…¥á„‚á…¡á„…á…§á„‚á…³á†« á„’á…§á†¼á„‰á…µá†¨á„Œá…¥á†¨á„‹á…µá†« á„‰á…µá†¯á„’á…¥á†·á„Žá…¥á„…á…¥á†· á„‡á…©á„‹á…µá„€á…µá„ƒá…© á„’á…¢á†»á„ƒá…¡. á„‹á…µá„…á…¥á†« á„ƒá…¡á„‹á…£á†¼á„’á…¡á†« á„‡á…§á†«á„’á…ªá„ƒá…³á†¯á„‹á…³á†« á„‹á…¨á„‰á…®á†¯á„‹á…µ á„‰á…¦á„‰á…¡á†¼á„€á…ª á„ƒá…©á†¼á„„á…¥á†¯á„‹á…¥á„Œá…µá†« á„€á…¥á†ºá„†á…¡á†«á„‹á…³á†« á„‹á…¡á„‚á…µá†·á„‹á…³á†¯ á„‡á…®á†«á„†á…§á†¼á„’á…¡á„€á…¦ á„‡á…©á„‹á…§á„Œá…®á„‚á…³á†« á„Œá…µá†¼á„’á…® á„€á…¡á‡€á„‹á…¡á†»á„ƒá…¡. á„€á…³á„…á…µá„€á…© á„‹á…¥á„á…¥á„†á…§á†« á„‹á…µá„€á…¥á†ºá„‹á…µá„‹á…£á„†á…¡á†¯á„…á…© á„Žá…©á†¼á„€á…¡á†·á„ƒá…©á†¨ á„ƒá…¡á„‚á…µá„‹á…¦á†¯ á„‡á…¥á†«á„‡á…¡á„‹á…®á†·(Daniel Burnbaum)á„‹á…µ á„‹á…µá„‹á…£á„€á…µá„’á…¢á†»á„ƒá…¥á†« â€˜á„‰á…¦á„‰á…¡á†¼ á„†á…¡á†«á„ƒá…³á†¯á„€á…µâ€™á„‹á…´ á„Žá…¥á†º á„Žá…®á†¯á„‡á…¡á†¯á„‹á…µá†«á„Œá…µá„ƒá…© á„†á…©á„…á…³á„€á…¦á†»á„ƒá…¡.