Category: English
-
Kirsten Wagner: “Postcapital” or What Follows the City?
The Knowledge City Postcapital: Vortragsreihe, Workshops, Filmprogramm Württembergischer Kunstverein, Schlossplatz 2, 70173 Stuttgart, Fon: +49 (0)711 22 33 70, info@wkv-stuttgart.de Lecture (german) Thursday, January 15, 2009, 7 pm Abstract With the advent of the so-called information age, much seemed prone to vanish: the body, the space, the city, the book along with its institution, the…
-
Du-Yul Song: Ineluctability of the Third Party
Lecture (german) Wednesday, January 7, 2009, 7 pm Postcapital. Lecture series, Workshops, Film program December 2008 – January 2009 Württembergischer Kunstverein, Schlossplatz 2, 70173 Stuttgart, Fon: +49 (0)711 22 33 70, info@wkv-stuttgart.de Abstract In a dyadic political landscape on the Korean Peninsula, where the expression “border crosser” still belongs to the expletive category of words,…
-
Daniel García Andújar: Apprehension of the Postcapital Archive Reality
Württembergischer Kunstverein Stuttgart December 13 + 14, 2008, each day: 12 – 6 pm Workshop (english) Registration till Monday, December 1, 2008 at: zentraleremove-this@remove-thiswkv-stuttgart.de The aim of the workshop is to facilitate reflection on the structures of the “archive culture” process. We will delve into the methods of exploring and reinterpreting the archive along with…
-
Censorship in Art?
New Mechanisms and Strategies December 5 + 6, 2008 A conference by Akademie Schloss Solitude, Hospitalhof Stuttgart and Württembergischer Kunstverein Stuttgart Hospitalhof (December 5, 2008) Professor Michael Germann, Professor Friedrich Wilhelm Graf Württembergischer Kunstverein (December 6, 2008) Corinne Diserens, Iris Dressler, Nikolai B. Forstbauer, Prof. Klaus Staeck, Christoph Tannert Friday, December 5, 2008 Venue: Hospitalhof…
-
Keiko Sei: Border Crossing
Postcapital, Exhibition View, WKV Stuttgart, 2008 Postcapital. Archive 1989 – 2001 Program Württembergischer Kunstverein Stuttgart Lecture (in english) Tuesday, December 2, 2008, 7 pm Abstract Keiko Sei will talk about her experiences with border crossings through video tapes, the screening of these tapes, and about her collaboration with dissident groups, the Samizdat media people, artists,…
-
Outskirts: Reflection on current artistic practices found outside the centre
Directed by Cabello/Carceller. November 27 – 29, 2008 Centro Cultural Montehermoso Vitoria-Gasteiz, Spain A growing part of new modes of art production, presentation and distribution seem to be coming from the fringes. They approach the main discourse but they do not inhabit it. Can we consider this kind of marginalization voluntary? Or is it the…
-
POSTCAPITAL or LET JEAN GENET DESIGN THE ARCHIVE
MORE MILK YVETTE A Journal of the Broken Screen All images: Daniel García Andújar / Technologies To The People, Postcapital. Archive 1989-2001. Copyright the artist. The images throughout this piece are press images for Postcapital. Archive 1989 – 2001, an art project by Daniel García Andújar / Technologies To The People (Nov 22, 2008 –…
-
Postcapital Archive 1989 – 2001: Lecture series, Workshops, Film program
An art project by Daniel García Andújar / Technologies To The People November 22, 2008 – January 18, 2009 An exhibition by Württembergischer Kunstverein Stuttgart Curators Hans D. Christ, Iris Dressler Opening Friday, November 21, 2008, 2 pm Artist’s tour Saturday, November 22, 2008, 1 pm Postcapital: Lecture series, Workshops, Film program December 2008 –…
-
THE WONDERFUL WORLD OF IRATIONAL.ORG: Tools, Techniques and Events 1996-2006 in Novi Sad
THE WONDERFUL WORLD OF IRATIONAL.ORG: Tools, Techniques and Events 1996-2006 Museum of Contemporary Art of Vojvodina Dunavska 37, Novi Sad, Serbia Curators: Inke Arns (Dortmund) and Jacob Lillemose (Kopenhagen) Dates: 28. October – 27. November 2008. from 9-17h, during weekends from 9-14h; Museum is closed on Mondays. Production: New Media Center_kuda.org, Novi Sad, http://www.kuda.org Hartware…
-
mediating conflict ::::
Sylvie Lacerte What is the term “mediating conflict” if not redundant, since mediation itself implies the existence of conflict? And why would anyone create and organize an exhibition on the subject? This exhibition is intended as a reflection on the need for access to a middleman to resolve conflicts—latent or declared—in society in general, but…