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The project “Postcapital Archive (1989-2001)” by artist Daniel G. Andújar, which uses an extensive digital archive to analyze themes of history, politics, culture and economy, is an example of how art can challenge power structures and dominant ideologies in a post-communist world. Through montages, installations and workshops, Andújar questions notions of progress, democracy and freedom, as well as the influence of information technologies on social life. The text examines the evolution of the “Postcapital” project in different exhibitions, showing how the digital archive, which collects information from diverse sources, is constantly transformed through processes of selection, interpretation and recontextualization.
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