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CV english

Daniel G. Andújar CV english

Daniel G. Andújar, Live and work in  Barcelona
(Almoradí, España, 1966)

Daniel G. Andújar is a visual artist, theoretician and activist who works and lives in Barcelona. Through interventions in space and a critical use of digital media and the communication strategies of the corporations connected to it, the theoretical and artistic work developed by Daniel G. Andújar (Almoradí, Alicante, Spain, 1966) oscillates between territories that are real (the city) and virtual (the Net).
He sets out from the premise that when displaying/dissecting the connections found between both, the inequalities that generate social and power relations are envisaged in a context like the current one. Most of his art projects are based on collaborative research that explores different political, historical, social and cultural phenomena and their media representations in a critical way: body politics, corruption, censorship, xenophobia, urban developments, the cultural industries, the inclusion and exclusion of technologies, the use of space, etcetera.

He has taught and directed workshops and seminars for artists and social collectives in numerous countries. His works have been shown in numerous exhibitions worldwide including Manifesta 4 and 53rd Venice Biennale. The Spanish National Museum Reina Sofia in Madrid hosted a comprehensive one-man show from January to April 2015, curated by Manuel Borja-Villel. In 2017 participate in documenta14 in Athens
and Kassel.

Technologies To The People (TTTP) began in 1996, as part of the Discord. Sabotage of Realities exhibition project that took place at the Kunstverein and Kunsthaus in Hamburg. It was originally presented as a virtual company dedicated to bringing technological advances closer to the least privileged, a sort of vague corporation that reproduced dissuasive language, the identity tics and visual archetypes associated with the commercial companies in the digital environment. As a definition of the context in which TTTP originated, it is important to refer to a certain incipient explosion that was gathering momentum in the world of information technology at that moment; monetary mirages materialised there— companies with inflated stock prices, exaggerated initiatives and platforms with no definition—which, after acquiring an incomprehensible media prominence, disappeared as if they had never existed. At the same time, and also in this initial period of the Net, notions uncritically idealising a supposed independence and democratisation of knowledge that the Internet should bring with it began to crop up, though in the end they never materialised. TTTP thus appears as a parody in the aforementioned double sense, i.e., as a disconcerting antithesis to the hypothetical wrongdoings of technological corporations, and also as an ironic counterpoint to the exhortations of the disciples of digital liberty.

Nonetheless and in hindsight, it could be said that TTTP has developed four more or less distinct courses of action throughout its life span: one, shaped around the launch of various products with which the corporation meddles in the market, ridicules the productive capacity of the company itself and styles strategies for connecting and empathising with the hypothetical users. Among the most prominent projects in this sphere would be the Street Access Machine (1996), a machine allowing those begging in the street to access digital money; The Body Research Machine (1998), an interactive machine that scanned the body’s DNA strands, processing them for scientific experiments, and x-devian by knoppix, an open-source operating system presented as part of the Individual Citizen Republic Project: The System (2003) project. Another course the work takes would be the critical reflection on the art world TTTP presents through the Technologies to the People Foundation with its collections distributed free of charge—Photo Collection (1997), Video Collection (1998) and Net Art Classics Collection (1999)—already calling the idea of material and intellectual property into question during this period. A third conceptual area would be constituted by the creation of the so-called e- pages (e-arco.org, e-manifesta.org, e-seoul.org, e-valencia.org, e-barcelona.org, e-sevilla.org, e-norte.org and e-madrid.org among others), which have become true platforms for citizen reflection linked to a specific cultural environment and a very concrete set of problems. Also to be highlighted from among TTTP’s activities is the construction of the vast Postcapital Archive.

Exhibitions

Solo Shows (selection)
2020
— El Tercer Estado, La Virreina Centre de la Imatge , Barcelona, Spain. Curator Valentin Roma
2019
— Que reste-t-il ?. Je Suis Né Étranger. Programme d’art contemporain des Abattoirs en région Occitanie. Musée Cévenol, Le Vigan, France. Curated by Emmanuelle Hamon
— Sistema Operativo. Colecciones, CCCC Cigarreras, Alicante. Curated by Valentin Roma
— Liders. Carré D’art-Musée D’art Contemporain, Nimes, France. Curated by Jean-Marc Prevost
2018
— Diligencias previas. Galería T20, Murcia, Spain
— Sistema operativo. Colecciones. CCCC Centre del Carme, Valencia, Spain Curated by Valentin Roma
— Plus Ultra. KIOSK, Ghent, Belgium Curated by Wim Waelput
— Democraticemos la democracia/Let,s democratise democracy. ADN Platform, Barcelona, Spain
— Los desastres de la guerra. Fundaciò Suñol, Barcelona, Spain
— El gato de Schrödinger. La superposición de estados y la paradoja del observador. àngels barcelona gallery, Barcelona, Spain
— Los desastres de la guerra, Caballo de Troya. Centre del Carme, Consorci de Museus de la Generalitat Valenciana, Valencia, Spain
2016
— Trastorno de Identidad. Galería Casa sin fin, Madrid, Spain
— The Butterfly Funnel. ArtPace, San Antonio,TX, USA. Curated by Juan de Nieves
2015
— Naturaleza vigilada/Überwachte Natur. Museo Vostell Malpartida. Spain
— El Capital. La Mercancía. Guilloché. Galería Casa sin fin, Madrid, Spain
— Daniel G. Andújar. Zones of Conflict. HeK House of Electronic Arts Basel, CH. Curated by Sabine Himmelsbach
— The Art of Seduction (with Rogelio López Cuenca). Palmadotze, Galeria díArt, Barcelona, Spain
— Daniel G. Andújar. Sistema Operativo. Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain. Curated by Manuel J. Borja-Villel
— Territorios_Murcia. Centro Puertas de Castilla, Murcia, Spain. Curated by Pedro Ortuño
— El Capital. La Mercancía. El dinero. Galería Casa sin fin, Caceres, Spain

2013
— Technologies To The People Photo Collection. Galería Casa sin fin, Madrid, Spain
2011
— The Art of Seduction (with Rogelio López Cuenca). Palmadotze, Galeria díArt, Vilafranca del Penedés, Spain
— Capital León. Musac, León, Spain. Curated by María Inés Rodríguez
2010
— Postcapital Archive Madrid. La Noche en Blanco, Madrid, Spain.
Curated by Basurama.
— Postcapital TimeLine. Goyang Studio, National Museum of Contemporary Art, Seoul, South Korea. Curated by Nathalie Boseul Shin
— Postkapital Arşiv (1989–2001). OPAL Contemporary Art Space, Istanbul, Turkey. Curated by Basak Senova
— Postcapital Archive (1989–2001). Total Museum of Contemporary Art, Seoul, South Korea. Curated by Nathalie Boseul Shin and Hans D. Christ
—Postcapital Archive (1989–2001) La comunidad inconfesable. Bòlit, Centre díArt Contemporani, Girona, Spain. Curated by Valentín Roma.
— The Wall. Postcapital Archive (1989-2001), Espai Visor. Valencia, Spain
2009
— Postcapital (Mauer). Museum for Modern Art Bremen, Bremen, Germany Curated by Anne Thurmann-Jejes
— Postcapital Archive (1989–2001). Iberia Art Center, Beijing, China. Curated by Valentín Roma
2008
— Postcapital Archive (1989–2001). Württembergischer Kunstverein Stuttgart Germany. Curated by Hans D. Christ and Iris Dressler
— Herramientas del arte. Relecturas (Tools of Art: Re-readings) (With Rogelio López Cuenca and Isidoro Valcárcel Medina). Sala Parpalló, Valencia, Spain Curated by Álvaro de los Ángeles

2007
— X-Devian. The New Technologies To The People™ System. Aarhus Kunstbygning. Center for Contemporary Art, Denmark. Curated by Jacob Lillemose
—Secret, Barcelona Toolbar, Matucana 100, Ciudad de Santiago de Chile, Santiago de Chile. Curated by Valentín Roma
2006
— Postcapital (with Carlos Garaicoa). Palau de La Virreina. Barcelona, Spain
— HackLandscape. PhotoEspaña 2006, Matadero, Madrid, Spain. Curated by Horacio Fernández
— e-sevilla.org. Centro de las Artes Sevilla, Sevilla, Spain. Curated by Pedro G. Romero
2003
— Individual Citizen Republic Project™: El Sistema. Museu Comarcal Garrotxa, Olot, Spain. Curated by Valentín Roma
2001
— The Power of Security, Galería Visor. Valencia, Spain
2000
— La Sociedad Informacional. MUA (Museo Universidad Alicante), Alicante, Spain. Curated by José Luis Martinez and Aramis López

1998
— Interface@metrònom.es, Fundació Rafael Tous d’Art Contemporari Sala Metrònom, Barcelona, Spain

1997
— Wir Beobachten!, Künstlerhaus, Curated by Iris Dressler, Dortmund, Germany

Group Shows (selection)

2020
— Dos Espacios. Angels Barcelona Gallery, Barcelona, Spain. Curated by Pilar Líbano
— A Discourse Of Uncertainties. 1 Mira Madrid Gallery, Spain. Curated by Mira Bernabeu
— Líneas rojas. La censura a la colección de Tatxo Benet. Centre d’Art la Panera, Museo de Lleida, Lleida, Spain.
— The School of Mutation. Rosa House of Culture, Borey Art Center, SDVIG (Studio of Performative Arts), Yegorka communal gallery, Street University, Parasite art gallery, Assembly, 4413 space, Saint Petersburg, Rusia. Initiative and score by Chto Delat
— J(em)’ accuse o la mort de l,autor. MAC, Mataró, Spain. Curated by Adonay Bermúdez
— Five Tours, One Point of View. MUSAC Collection, Musac León, Spain. Curator Manuel Olveira
— Double Wall of Silence.Hestia gallery, Belgrade, Serbia. Curator Anja Obradovic & Hana Ostan Ozbolt
2019
— Everything That We Have in Common. Museum of Contemporary Art Skopje, North Macedonia. Curated by Mira Gakjina and Jovanka Popova
— Double Wall of Silence.SKUC gallery, Slovenia, Curated by Anja Obradovic & Hana Ostan Ozbolt
— Après 1975 – La Movida ?. Les Abattoirs, Toulouse, France
— An aural deconstruction of narrative.àngels barcelona gallery, Barcelona,Spain
— Actually, the Dead Are Not Dead.Bergen Assembly, Bergen, Norway, Curated by Iris Dressler and Hans D. Christ
— Art Contemporani de la Generalitat Valenciana. Preguntes i Respostes. Centre del Carme Cultura Contemporània,Valencia,Spain. Curated by Luis Canitzer
— Symptom Bauhaus. West Den Haag,The Hague,Netherlands.Curated by Iris Dressler and Hans D. Christ
— Art Contemporàni De La Generalitat Valenciana. Dni. Distintes Narratives D’Identitat. ’Centro Cultural Las Cigarreras,Alicante,Spain
— J(em)’ accuse o la mort de l,autor. Bolit, Girona, Spain. Curated by Adonay Bermúdez
— Peça 19. Museu de Belles Arts de Castelló, Consorci de Museus de la Generalitat Valenciana, Spain
— Picasso and the Exodus. Les Abbatoirs, FRAC- Toulouse, France. Curated by Annabelle Ténèze
— En el nombre del padre. Museo Picasso Barcelona, Spain. Curated by Rosa Martínez
2018
— El poder del Arte. Obras de la colección del Museo Nacional Centro de Arte Reina Sofía. Congreso de los Diputados, Madrid,Spain. Curated by João Fernández
— UMBRAL. 13 Interventions In The Metro, Barcelona,Spain. Curated by Imma Prieto
— Toda la belleza del mundo. àngels barcelona gallery, Barcelona, Spain
— Mensaje de Arecibo 2017. Etiopia Center for Art & Technology, Zaragoza, Spain. Curated by Marí Menchaca
— 365ALC_Retrat. Lonja del Pescado, Alicante, Spain. Curated by Pilar Tebar and José Luis Martínez
— 50 Years after 50 Years of the Bauhaus 1968. Württembergischer Kunstverein Stuttgart, Germany. Curated by Iris Dressler and Hans D. Christ
— Global Control and Censorship. Arsenal Gallery, Bialystok, Poland. Curated by Bernhard Serexhe and Lívia Nolasco-Rózsás
— Provincia 53,Arte territorio y descolonización del Sahara. CEDAN, Huesca, Spain. Curated by Juan Guardiola
— Report – Notes From Reality. Kunsthalle, Osnabrück , Germany. Curated by Franz Reimer and Hermann Nöring
— Gelatina dura. Historias escamoteadas de los 80s (Hard Gelatin – Hidden Stories From The 80s). Hiriartea, Ciudadela, Pamplona, Spain. Curated by Teresa Grandas
— Emociones Incendiarias. Centre Civic Can Felipa, Barcelona, Spain. Curated by Blanca del Río & Maike Moncayo
— Altered States. Substances in Contemporary Art – Kunstpalais Erlangen, Erlangen, Germany. Curated by Milena Mercer
— Plou, Neva, Pinta – Sala dels Trinitaris, Vilafranca del Penedes, Spain.
2017
— All the Words for Rock. Nature and Conflict. Centro de Artes Visuals Fundación Helga de Alvear, Caceres, Spain. Curated by Julián Rodriguez
— Region (Los Relatos) Cambio del paisaje y políticas del agua. MUSAC y Fundación Cerezales Antonio y Cinia, Leon, Spain. Curated by Alfredo Puente and Bruno Marcos

— Mortalmente Herido. Galería Casa sin fin, Madrid, Spain. Curated by Julián Rodriguez
— Documenta 14. EMST—National Museum of Contemporary Art, Athens, Greek. Curated by Adam Szymczyk
— Documenta 14. Neue Neue Galerie (Neue Hauptpost), Kassel, Germany. Curated by Adam Szymczyk
— Provincia 53,Arte territorio y descolonización del Sahara. MUSAC, Leon, Spain. Curated by Juan Guardiola
— Caerán las almas de las pieles. Sala de exposiciones Diputación de Huesca, Spain. Curated by Javier Codesal and Montserrat Rodríguez Garzo
— The Blackout Festival, Bombay, India
— Crossroads. 1st Anren Biennale. Anren, Sichuan, China. Curated by Liu Ding and Carol Yinghuan Lu
— Global Control and Censorship. Tallinn Art Hall, Tallinn, Estland. Curated by Bernhard Serexhe and Lívia Nolasco-Rózsás
2016
— Arte y Territorio. Palma Dotze, Santa Margarida i els Monjos, Barcelona, Spain
— Gelatina dura. Historias escamoteadas de los 80s (Hard Gelatin – Hidden Stories From The 80s). Museu d’Art Contemporani de Barcelona (MACBA), Barcelona, Spain. Curated by Teresa Grandas
— 13ª Biennal Martínez Guerricabeitia. Museo de la Ciudad, Valencia, Spain
— Arte vs publicidad: (re)visiones críticas desde el arte actual. Universidad de Zaragoza. Zaragoza, Spain. Curated by Ana García Alarcón
2015
— Dortmunder Neu Gold – art, beer & alchemy. Dortmund U, Germany
— Hic et Nunc: About Democratic Paradoxes. Managua, Tegucigalpa and San Salvador.Curated by Imma Prieto
— Remake Resnais. Centro Andaluz de Arte Contemporáneo, Sevilla, Spain. Curated by Juan Antonio Álvarez Reyes
— Global Control and Censorship. ZKM Karlsruhe, Germany. Curated by Bernhard Serexhe and Lívia Rózsás
— Artefactos. Dados Negros. Centro de Holografía y Artes Villanueva de los Infantes, Spain
— The Beast and is the Sovereign. Württembergischer Kunstverein Stuttgart, Stuttgart Germany, Curated by Iris Dressler, Valentín Roma, Paul B. Preciado and Hans D. Christ
— Tercer Espacio: entre tradición y modernidad. Colección CA2M. Sala de Arte El Brocense, Cáceres
— The School of Kyiv. Kyiv Biennial 2015, Kiev, Ucrania. Curated by Hedwig Saxenhuber and Georg Schöllhammer

— Translocaciones | Observatorio de proyectos. Arts Santa Mònica. Barcelona, Spain
— Democraticemos la Democracia. Intervenciones artísticas en el Puente
de Deusto, Bilbao, Spain
— Invisible Violence. Salzburguer Kunstverein, Salzburg, Austria.
Curated by Zoran Eríc, Blanca de la Torre and Séamus Kealy
— Prophetia, Fundació Joan Miró, Barcelona, Spain. Curated by Imma Prieto
— Languages and Aesthetics of Spanish Video Art: Ten Years of Critical Practices – Videotage, Hong Kong
2014
— AKME 2014. Exposición Presupuesto 5€, Consonni, Bilbao, Spain
Library. Rethinking the Infrastructures of Knowledge Production. Württembergischer Kunstverein Stuttgart, Germany
— El mapa imaginario, La Conservera, Ceutí, Murcia, Spain
— Archivo Lafuente. La Idea de Arte, Museo de Arte Moderno y Contemporáneo de Santander y Cantabria, Spain
— Invisible Violence. ARTIUM Centro-Museo Vasco de Arte Contemporáneo, Vitoria, Spain. Curated by Séamus Kealy, Zoran Eríc and Blanca de la Torre
— Hic et Nunc: About Democratic Paradoxes. CCEJS AECID – PARAGUAY, Asunción, Uruguay. Curated by Imma Prieto
— Tiempo de progreso. Museo Barjola, Gijón, Asturias, Spain. Curated by Avelino Sala and José Luis Corazón
— La herencia inmaterial. Ensayando desde la Colección. . Museu díArt Contemporani de Barcelona (MACBA), Barcelona, Spain.
Curated by Valentin Roma
— Hic et Nunc: About Democratic Paradoxes. Bolit, Girona, Spain.
Curated by Imma Prieto
— Invisible Violence. Museum of Contemporary Art Belgrade, Belgrade, Serbia. Curated by Zoran Eríc and Blanca de la Torre
— Oh, My Complex: On Unease at Beholding the City Transformation of the Space. Mine, Yours, Ours festival, Museum of Modern and Contemporary Art, Rijeka, Croatia. Curated by Iris Dressler, Hans D. Christ
— Helsinki Photography Biennial. Helsinki, Finland. Curated by Basak Senova
— NETescopio + NETescopio Sessions tonight. Edith-Russ-Haus for Media Art, Oldenburg, Germany. Curated by Gustavo Romano
— Hic et Nunc: About Democratic Paradoxes TEMP Art Space New York City, USA. Curated by Imma Prieto

2013
riure #1 superioridad vs inferioritdad. Centre d’Art Lo Pati, curated by Blai Mesa, Tarragona, Spain
Feria Internacional Ciudad Creativa. CentroCentro, Palacio de Cibeles de Madrid, Spain
To The Reader – Basis voor Actuele Kunst – BAK. Curated by Benjamin Fallon, Utrecht, Holland
HIC ET NUNC. Sobre paradojas democráticas. Museo Pumapungo. Curated by Imma Prieto, Cuenca, Ecuador
The Art of Not Being Governed Like That. An exhibition by Württembergischer Kunstverein Stuttgart. Idea and conception: Hans D. Christ, Yvonne P. Doderer, Iris Dressler, Stephan Köperl, Sylvia Winkler. In conjunction with Risk Society. Individualization in Young Contemporary Art from Germany at Museum of Contemporary Art Taipei (MOCA), Curator: Melanie Bono, Taipei, Taiwan
Giving Form to the Impatience of Liberty. Württembergischer Kunstverein Stuttgart. Curated by Iris Dressler, Hans D. Christ, Germany
El Teatro del Arte. Colección La Caixa de Arte Contemporáneo. Centro de Arte Caja de Burgos. Curated by Valentin Roma, Burgos, Spain
HIC ET NUNC. Sobre paradojas democráticas. Galería Proceso, curated by Imma Prieto, Cuenca, Ecuador
ACTS OF VOICING, On the Poetics and Politics of the Voice, Total Museum of Contemporary Art, Curators: Hans D. Christ, Iris Dressler, Christine Peters, Cosmin Costinas, Natalie Boseul Shin, Seoul, South Korea,
Without Reality There Is No Utopia, Yerba Buena Center for the Arts, curated by Alicia Murría, Mariano Navarro and Juan Antonio Álvarez Reyes, San Francisco, EEUU
2nd edition of Project Biennial D-0 ARK Underground, Tito’s Nuclear Bunker, Curators Basak Senova and Branko Franceschi. Konjic/Sarajevo, Bosnia and Herzegovina
¡Reset!, Galería Palmadotze. Masia Mas Pujó, Barcelona. Curated by Valentin Roma, Spain
La belleza robada, Espacio Cultural El Tanque, Santa Cruz de Tenerife, Spain
Tools Of Distorted Creativity Transmediale 2013 BWPWAP Berlin. Curated by Jacob Lilemouse, Berlin, Germany

2012
Montaje de Atracciones – Tirar del Hilo – Colección Artium / Sala Norte . ARTIUM – Basque Museum Center of Contemporary Art. Curated by Blanca de la Torre and Daniel Castillejo. Vitoria-Gasteiz, Spain
Acts Of Voicing, On the Poetics and Politics of the Voice, Württembergischer Kunstverein Stuttgart Curators: Hans D. Christ, Iris Dressler, Christine Peters (Württembergischer Kunstverein Stuttgart); Cosmin Costinas (Para/Site Art Space, Hong Kong); Natalie Boseul Shin (Total Museum of Contemporary Art, Seoul)
El Hilo De Ariadna: Lectores / Navegantes, Casa del Lector, Madrid. Curated by Francisco Jarauta, Spain
Cartographies Of Hope: Change Narratives, Center for Contemporary Art, Prag. Curated by Jaroslav Anděl, Prag, Czech Republic
Online/Offline. Encoding everyday life. Galería Valle Ortí, curated by Lorenzo Sandoval, Valencia, Spain
Tiempos de urgencias, Sala Norte, ARTIUM Centro-Museo Vasco de Arte Contemporáneo. Curated by Blanca de la Torre and Daniel Castillejo. Vitoria-Gasteiz, Spain
Oh, My Complex, On Unease at Beholding the City, project by Hans D. Christ Württembergischer Kunstverein, Stuttgart, Germany
You and Eye. Cartografías existenciales e itinerantes urbanos. Proyect by Wendy Navarro and Ada Azor, Circuiti Líquido, 11 Bienal de La Habana, La Habana, Cuba
The Rescue Of The Effects – Notes for a Theory of the Reader. General Public, Berlin, project by Lorenzo Sandoval, Berlin, Germany
Cacotopía. FOKUS’12 | Nikolaj Kunsthal. Copenhagen, Denmark
Dark Drives. Uneasy Energies in technological Times, transmediale 2012. Curated by Jacob Lillemose, Berlin, Germany
Artefact 2012 THE SOCIAL CONTRACT, STUK arts centre Leuven, The Wonderful World of irational.org is curated by Inke Arns (Hartware MedienKunstVerein), Jacob Lillemose and Heath Bunting, Leuven, Belgium

2011
Crossing East West Narratives by the End of Video Art (2000-2011), Tabacalera, Madrid. Curated by Menene Gras Balaguer, Madrid, Spain
Relatos encadenados. Centre d’Art la Panera. Curated by Gloria Moure, Lleida, Spain
Psychoeconomy. The upcomming summit: Sevilla 2011, CAAC (Center of Contemporary Art of Andalucia). Curated by Gustavo Romano, Sevilla, Spain
Relatos encadenados. Centre d’Art la Panera. Lleida, Spain
HUMAN RIGHTS / COPY RIGHTS, CHILE AÑOS 70 Y 80. MEMORIA Y EXPERIMENTALIDAD. Museo de Arte Contemporáneo de la Universidad de Chile.Curador Cristián Gómez-Moya, Santiago de Chile, Chile
Cacotopía. Daniel G.Andujar + Avelino Sala. First Screen / Premières de artistas en La Pedrera. LOOP/ Screen from Barcelona y la Fundación Catalunya Caixa Barcelona, Spain
-Y mañana qué… Trayecto Galería. Curated by Fernando Iliana. Vitoria-Gasteiz, Spain
Sin realidad no hay utopía. CAAC. Centro Andaluz de Arte Contemporáneo. Curated by Mariano Navarro, Alicia Murría and Juan Antonio Álvarez Reyes. Sevilla, Spain
Video(S)torias. ARTIUM. Centro-Museo Vasco de Arte Contemporáneo. Vitoria-Gasteiz, Spain

2010

The Archivists Impatience. The Loft. Mumbai a group show of artists Daniel G. Andújar , Pablo Bartholomew, Leila Pazooki & Jean-Gabriel Périot, Curated by Shaheen Merali.
Wealth of Nations,Gallery One & Perimeter Gallery.  Spike Island. Curators:Institute for Flexible Cultures and Technologies – NAPON (Kristian Lukic, Gordana Nikolic), Bristol, UK
BARCELONA – VALÈNCIA – PALMA. A History of Confluence and Divergence. Objects of desire. Centre de Cultura Contemporània de Barcelona. Curated by Ignasi Aballí, Melcior Comes and Vicent Sanchis
Presupuesto: 6 euros. Prácticas artísticas y precariedad-Curated by Cabello/Carceller, Off Limits Madrid.
Videoarte hecho en España.Centro de Arte Complutense Curated by Aramis López. Madrid

2009
Trapped in Amber. Angst for a Reenacted Decade. Postcapital (Honor). UKS, Oslo, Curated by Helga-Marie Nordby, Bassam el Baroni. Oslo, Norway
The Unavowable Community, Venice Bienal. Catalan Pavilion, with: Archivo F. X./Pedro G. Romero, sitesize; Curated by Valentín Roma. Italy
Angel of History, Postcapital (copyright), Laboral , Curated by Christiane Paul, Steve Dietz. Gijón, Spain

2008
Anna Kournikova Deleted By Memeright Trusted System – Art in the Age of Intellectual Property, Library. Postcapital Archive. Hartware MedienKunstVerein, PHOENIX Halle Dortmund, Curated by Inke Arns and Francis Hunger. Dortmund, Germany
La mediation du conflit/Mediating Conflict, Postcapital (Honor) Maison de La Culture, Montreal, Curated by Sylvie Lacerte. Montreal, Canada
Muestra de Vídeo de Autores Españoles, MUA, Alicante, Curated by Aramis López, Alicante, Spain
Kosmotica II, e-paisaje.org. Centro de Cultura Contemporánea de Barcelona, Curated by Juan Insua, David Casacuberta. Barcelona, Spain
Banquete_nodos y redes. Centro de Arte y Creación Industrial, Gijón, Curated by Karin Ohlenschläger. Gijón, Spain
The Wonderful World of irational.org: Tools, Techniques and Events 1996-2006. Museum of Contemporary Art Vojvodina, Novi Sad. Curators Inke Arns (Dortmund) and Jacob Lillemose (Kopenhagen). Novi Sad, Serbia
e-paisaje.org, Instituto Cervantes, New York City, Beijing
InterACCIONES ELECTORALES, Off Limits, Curated by Democracia. Madrid, Spain
e-.org. Projecte idensitat, Local | Visitante 2: Manresa, Spain
2nd Biennial 01SJ Global Festival of Art on the Edge, Zero1. San Jose, California, Curated by Steve Dietz. USA
Close Window. Refresh, Senko Studio in Viborg, Curated by Annette Finnsdottir. Denmark
‘Unrecorded’ exhibition questions space. Hacklandscape. akbank Gallery Istanbul. Curated Başak Şenova. Istanbul, Turkey

2007
Extremos del sexto continente. I Bienal del Fin del Mundo. Ushuaia Curated by Gustavo Romano. Ushuaia, Argentina
The Wonderful World of irational.org: Tools, Techniques and Events 1996-2006. CCA Glasgow. Curators Inke Arns (Dortmund) and Jacob Lillemose (Kopenhagen). Glasgow, UK
Pilot 3. VENICE 8-17 JUNE 2007, Monastery of St Damien and St Cosimo, La Giudecca, Venice, Italy
SINTOPÍAS, e-paisaje.org, Instituto Cervantes de Beijing, China

2006
AYERMAÑANA, Facultad de Bellas Artes de Cuenca, Spain
404 Object not found_Seoul, Total Museum of Art, Seoul Curated by Natalie Boseul Shin, Seoul, South Korea
THE WONDERFUL WORLD OF IRATIONAL, Tools, Techniques and Events 1996-2006. Hartware MedienKunstVerein, PHOENIX Halle Dortmund. Curators Inke Arns and Jacob Lillemose. Dortmund, Germany
HackLandscape. PhotoEspaña2006, Matadero Madrid, Curated by Horacio Fernández. MAdrid, Spain

2005
Nulles05, Contemporary Rural representations. Nulles, Spain
Cabanyal Portes Obertes. Valencia, Spain
Juego Doble: Mediactivismo y activismo en la red. With Fran Illich. Centro Cultural de España. Mexico DF., Mexico
MEDIASCAPES. Curated by Montse Badia and Andreas Kaufmann, Fundacio la Caixa, Girona, Spain
On Difference #1, 21. May – 31. July 2005, Württembergischer Kunstverein Stuttgart. Curateb by Iris Dressler and Hans D. Christ, Stuttgart, Germany
Pintar sense pintar. Centre d’Art la Panera. Lleida, Spain
Archive cultures: Representations. Monasterio de Nuestra Señora del Prado. Curated by Jorge Blasco. Valladolid, Spain
MEDIASCAPES. Curated by Montse Badia and Andreas Kaufmann, Fundacio la Caixa, Tarragona, Spain

2004
media_city seoul 2004. The 3rd Seoul International Media Art Biennale, Curated by Johan Pijnappel, Liz Hughes, Hans D Christ. Tilman Baumgaertel. Seoul Museum of Art. Seoul, South Korea
_PROCESSOS_OBERTS_ Curated by Manuel Olveira. Tarrassa, Barcelona, Spain
MEDIASCAPES. Curated by Montse Badia & Andreas Kaufmann, Fundacio la Caixa, Lleida, Spain
Ambulantes.  Portable Culture. Curated by Rosa Pera. Centro Andaluz de Arte Contemporaneo, Monasterio de la Cartuja de Santa María de Las Cuevas. Sevilla, Spain
Tour-isms. The defeat of dissent, critical itineraries. Curated by Nuria Enguita, Jorge Luis Marzo, Montse Romani. Fundació Antoni Tàpies, Barcelona, Spain

2003
El Banquete, Curated by Karin Ohlenschläger .Centro Cultural Conde Duque, Madrid, Spain
ART FOR NETWORKS, Reg Vardy Gallery in Sunderland, UK
Interactiva 03. Bienal Internacional de Artes mMediatícas y Electrónicas. MACAY, Museo de Arte Contemporáneo de Yucatán. Mexico
Banket, metabolismus und kommunikation. Curated by Karin Ohlenschläger and Peter Weibel, ZKM center for art and media. Karlsruhe, Germany
TechnoSkeptic, Bard College. USA
El Banquete, Palau La Virreina, Curated by Karin Ohlenschläger, Barcelona, Spain
Culturas de archivo. Palacio de Abrantes, Curated by Jorge Blasco. Universidad de Salamanca, Spain
e-arco.org, ARCO, MUA (Museo Universidad Alicante), Curated by José Luis Martinez and Aramis López. Madrid, Spain
Art for Networks. The Fruitmarket Gallery. Edinburgh, UK
Art for Networks. Turnpike Gallery. Manchester, UK

2002
Muestra Net-Art, La Casa Encendida, Curated by Laura Baigorri, Madrid, Spain
Art for Networks, Chapter Arts, Cardiff, Walles
Printemps de Septembre Toulouse 2002, Curated by Marta Gili, France
Manifesta 4, Curated by Iara Boubnova + Nuria Enguita + Stéphanie Moisdon Trembley, Frankfurt, Germany
Cultures de Arxiu. Curated by Jorge Blasco. Universidad de Valencia. La Nau. Valencia, Spain

2001
3ª Bienal D’Art Lleida, LLeida, Spain
Antagonisms. Case studies, Curated by Manolo Borja, Macba. Barcelona, Spain
ZKM Medien kunst Preis Karlsrue, Germany
Re: Duchamp. traveling Exhibition, 49th Venice Biennale, Italy
media ambiente/MAd 2001, Ifema, Madrid, Spain
transmediale.01, Winner of the Luzifer prize. Berlin, Germany
New ideas, Old tricks, hARTware projekte, Curated by Hans  D. Christ and Iris Dressler, Dortmund, Germany

2000
PLAN B, De Appel Foundation, Curatorial Training Program, Amsterdam, Holland
Startklar zur Expo …und Sie sind dabei, Deutsche Arbeitsschutzausstellung, Germany
Microwave Festival, Hong Kong, China
Art Entertaiment Network, Let’s Entertain: Life’s Guilty Pleasures, Walker Art Center, Minneapolis, Estados Unidos; Portland Art Museum, USA; Museé national d’art moderne, Centre Georges Pompidou, Paris France; Museo Rufino Tamayo, México DC, México; Miami Art Museum, USA
Tecnologia, ètica i futur, Nuevos medios para el arte. Barcelona, Spain
Tech_nicks, Site Gallery, Sheffield, UK
EXPO Hannover 2000, Spanish Pavilion, Hannover, Germany
Media Z Lounge, New Museum, New York, USA
Dystopia and Identity in the Age of global Communications, Tribes Gallery, New York, USA

1999
net_condition, art and global media, Curated by Peter Weibel, ZKM, Karlsruhe, Germany
Nuevos caminos/Amenazas y promesas del arte electrónico, Casa de las Artes de Vigo, Curated by Manuel Olveira, Vigo, Spain
Wizards of OS, Haus der Welt, Berlín, Germany
Vértigos: artes audiovisuales on-line/off-line, Sala Amadis, Madrid, Spain
Afinidades Dispersas, Fundación Telefónica, Curated by Nuria Enguita, Madrid, Spain
CRASH-mindpoll/thinktank, ICA, London, UK
REDesing, Festival de Navarra, Pamplona, Spain
Mediaterra, Atenas, Greek
Futuropresente, Sala Plaza de España, Curated by Alicia Murria, Madrid, Spain

1998
Sponsored by Technologies To The People®, Union Fraternelle des métallurgistes, París, France
Technoculture [Computer World], Fri-Art Centre d’Art Contemporain Kunsthalle, Friburg, Switzerland
Beyond Interface, Walker Art Center, Minneapolis, Estados Unidos; International Museums & the Web Conference, Toronto, Canada
The Works Presents “Some of my Favourite Websites are Art”, Alberta, Canada
Scattered Affinities, Apex Art CP, Curated by Nuria Enguita. New York,  USA
RESERVATE DER SEHNSUCHT [Reserves of Desire], Unionbrauerei, Curated by Hans  D. Christ and Iris Dressler, Dortmund, Germany
Digital Documentary: The Need to Know and the Urge to Show, pARTs photography gallery, Minneapolis, USA

1997
Desde la imagen, Centre de la Beneficència, Sala Parpalló, Valencia, Spain
Short Cuts/Links to the Body, DASA, Curated by Hans D. Christ and Iris Dressler. Dortmund, Germany

1996
3MVI-Mostra de Video Independent. Floppy Forever, CCCB, Barcelona, Spain
Un-Frieden. Sabotage von Wirklichkeiten (Discord. Sabotage of realities), Kunsthaus & Kunstverein, Curated by Ute Vorkoeper and Inke Arns. Hamburgo, Germany

1995
Arte e ideología, Universidad Politécnica de Valencia, Spain
Elemento de utilización política. Cercanías/Rodalíes, Club Diario Levante, Valencia, Spain

1994
Muestra de Vídeo Joven Español, Cuba; República Dominicana; México; Costa Rica; Venezuela; Colombia; Perú; Chile; Argentina
Imágenes, Centro Cultural Casa de Porras, Granada, Spain
Señores Africanos, Arteleku, San Sebastián, Spain
Estamos vigilando, Cerrado/Itxita y Ocupado con Baja Mar/LOW TIDE GROUP, San Sebastián, Spain
Elemento de utilización política. Cercanías/Rodalíes, Sala Consellería. Alicante, Spain

1993
De Interés Público, Galería Moriarty, Madrid, Spain
Workshop, Sala Parpalló, Valencia, Spain
3º Studio internacional de Tecnologias de Imagem, Sao Paulo, Brasil
La juventud del video, Sala Rekalde, Bilbao, Spain
Video, Sala de Cultura de Inxtxaurrondo, San Sebastian, Spain

Workshops

2010
Observatorio Cultural
(workshop director)
Master of European Design Labs. IED Madrid
http://masterdesigninnovation.com/
http://www.abreelojo.com/general/daniel-garcia-andujar-en-el-observatorio-cultural-del-ied/
Madrid, Spain

¿A dónde vas Madrid? e-ciudades y política cultural en Madrid
(workshop director, with basurama)
Medialab-Prado Madrid
http://medialab-prado.es/article/eciudades
Madrid, Spain

DIT [Do It Together]
(workshop director)
L’Escortxador. Elx, Spain

PSYCHOECONOMY! Corporate Summit Madrid 2010. Matadero Madrid.
The Corporate Summit 2010 was proposed in order to discuss the international financial crisis and prevailing monetary exchange systems. Directed by Gustavo Romano. Madrid, Spain

Camon. Workshop Series: DIT “Do It Together”
‘La aprehensión de la realidad desde el archivo postcapital’
(workshop director)
CAMON. Alicante, Spain

Excursus: Walks and Disgressions Seoul/Gwangju/Daechu-ri
Postcapital Archive
(With Hans D. Christ)
Total Museum of Contemporary Art. Hansung University. Seoul, South Korea

2009
DIT “Do It Together” Workshop Series
(workshop director)
V Encuentro Bienal ArteLanzarote 2009. Sala CICCA de Arrecife. Lanzarote, Spain

open your archive : POSTCAPITAL in Seoul [출처]
(workshop director)
|작성자 totalmuseum. Seoul, South Korea

2008
Apprehension of the Postcapital Archive Reality
(workshop director)
Postcapital Archive Series. Württembergischer Kunstverein Stuttgart. Stuttgart, Germany

Workshop. Transforming Information into Knowledge
(workshop director)
Postcapital Archive Series. Akademie Schloss Solitude. Stuttgart, Germany

Do It Together Workshop Buenos Aires 2008. Seminario Internacionales del Medialab
(workshop director)
Centro Cultural de España. Buenos Aires, Argentina

DIT. Do it Together. Workshop Series.
(workshop director)
AULABIERTA. Facultad de Bellas Artes.Granada, Spain

Sergi / Atölye. Gerçekliğin PostKapital Arşivden Algılanması
(workshop director)
Akbank Sanat Beyoğlu. Istanbul, Turkey

Encuentro/Taller Herramientas del Arte. With Rogelio López Cuenca
Facultad de Bellas Artes. Sala Parpalló. Valencia, Spain

2007
404 Object Not Found Seoul 2007. Total Museum of Contemporary Art. Seoul, South Korea

La desmaterialización de las aulas. transversalia. Centro Párraga. Murcia, Spain

X-devian. The Aesthetic Interface
(workshop director)
Aarhus Kunstbygning. Aarhus, Denmark

el laboratorio de los medios, e-
(workshop director)
Indensitat 07. Manresa, Mataró, Spain

2006
DIT “Do It Together”, Activismo hacker y software libre,
(workshop director)
Centro Cultural Montehermoso. Vitoria-Gasteiz, Spain

Construyendo e-sevilla.org
(workshop director)
Centro Arte Sevilla, Sevilla, Spain

E-Project
(workshop director)
Total Museum of Contemporary Art. Seoul, South Korea

2005
Práctica artística y tecnologías de información y comunicación.
(workshop director)
Fundación Telefónica Argentina- Centro Cultural de España en Buenos Aires (CCEBA). Espacio Fundación Telefónica. . Buenos Aires, Argentina

Prácticas de empoderamiento tecnológico. [reutilización de tecnología obsoleta y códigos abiertos para artistas]
(workshop director)
Séptimas Jornadas de arte y medios digitales. CCEC,UNC, UBP, Esc de Artes UNC. Cordoba. Argentina

Individual Citizen Republic Project
(workshop director)
Centro Cultural de España. Mexico DF. Mexico

e-Lab. Workshop, „On Difference #1: Lokale Kontexte – Hybride Räume“
(workshop director)
Württembergischer Kunstverein Stuttgart. Stuttgart, Germany

Technologies To The People: reutilización de ordenadores
(workshop director)
Basurama05. La Casa Encendida. Madrid, Spain

Theater der Welt 05. Performer’s Guesthouse. Akademie Schloss Solitude.Stuttgart, Germany

2004
media_city seoul 2004.  The 3rd Seoul International Media Art Biennale. Workshop e-seoul.org
(workshop director)
Seoul. South Korea

MEDIASCAPES. X-devian
(workshop director)
FUNDACIO LA CAIXA, Lleida, Spain

RAM 6
Social Interaction & Collective Intelligence. Vilnius, Lithuania

“Heimatwechsel“ (Change of Home)
International Student Workshop. With hartware medien kunstverein. Fachhochschule für Design (Design College). Phoenix Halle. Dortmund, Germany

Open Space.
(workshop director)
Centro Andaluz de Arte Contemporaneo, Monasterio de la Cartuja de Santa María de Las Cuevas, Sevilla, Spain

2003
El Banquete,
(workshop director)
Centro Cultural Conde Duque. Madrid, Spain

BanqueteWireless
(workshop director)
La Virreina. Barcelona, Spain

2002
DataClouds, on-line participatory environments and ‘open source’
Organized V2_Lab. Emoção Art.ficial. São Paolo, Brazil

Take the Reins!. MediaLab Madrid. Centro Cultural Conde Duque . Madrid, Spain

2001
El Taller. Made in Hangar. Barcelona Art Report 2001. Barcelona, Spain

Lectures & Seminars (selection)

2011
Wikileaks/Wikirebels. ¿La Glasnost de nuestra época?
Centro de Cultura Contemporánea de Barcelona CCCB
Barcelona, Spain

2010
AKME 010. Medios de producción artística en la cultura intermedial
Bilbao Facultad de Bellas Artes de la UPV-EHU.Bilbao, Spain

Magatzems de Memòria // Arxius Virtuals // Transpolítica
L’Archivo Postcapital (1989-2001) Daniel G. Andújar
Pam10. programa d’art multimèdia. Centre d’Art Cal Massó . Reus, Tarragona, Spain

Observatorio Cultural. Master of European Design Labs. IED Madrid
http://masterdesigninnovation.com/
http://www.abreelojo.com/general/daniel-garcia-andujar-en-el-observatorio-cultural-del-ied/
Madrid, Spain

Global Network for citizen participation. October 2010.
Museo San Pio V, Sala Parpallo

Global Network for citizen participation. Valencia. October 2010


Valencia , Spain

XVII Image Symposium THE RUSTLE OF IMAGES.
International seminar. Centro de Arte Dos de Mayo. Directed by Aurora Fernández Polanco. . Madrid, Spain

DIT [Do It Together]
L’Escortxador. Elx, Alicante, Spain

Installation / Ausstellung: Dokumente von Daniel G. Andújar
Instituto Cervantes Hamburg. Hamburg, Germany

Videoarte hecho en España
Centro de Arte Complutense. Universidad Complutense de Madrid. Madrid, Spain

The second UNESCO World Conference on Arts Education, hosted by the Government of the Republic of Korea and co-organized by UNESCO
Second World Conference on Arts Education. Seoul, 25 – 28 May 2010
http://www.artsedu2010.kr/index.jsp
http://portal.unesco.org/culture/en/ev.php-URL_ID=40928&URL_DO=DO_TOPIC&URL_SECTION=201.html
Changes of social role and responsibility of cultural institutions and actors incl. artists
Seoul, South Korea

2009
La Biennal de Venècia 2009
Macba, Barcelona , Spain

Sympoium Subversive Praktiken / Practices
Württembergischer Kunstverein, Stuttgart, Stuttgart, Germany

On és la bretxa? Debat obert sobre el funcionament de la cadena de valor en les Arts Visuals
TPK Arts Plàstiques, Barcelona, Spain

iD Barrio. 2009
Seminario internacional + taller de proyectos
LA Capella, Barcelona, Spain

Multitud Singular: El arte de resistir
Este es un tiempo para la acción
Museo Nacional de Arte Reina Sofía
Madrid, Spain

Tertúlia-sopar. La Biennal de Venècia 2009
Ateneu Barcelonès.Barcelona, Spain

CANÒDROM’09
Jornades internacionals de debat per a un nou Centre d’Art a Barcelona
Macba, Barcelona, Spain

banquete_nodos y redes
Museo Nacional de Arte Reina. Madrid, Spain

3er Encuentro Inclusiva-net: net.art (segunda época). La evolución de la creación artística en el sistema-red
Medialab-Prado Madrid, Cultural de España. Buenos Aires, Argentina

2008
Arquitecturas De La Cultura Del Mañana-Mañana
El archivo y la red: organización, distribución y acceso al conocimiento
Medialab-Prado Madrid, Spain

Outskirts: Reflection on current artistic practices found outside the centre
Directed by Cabello/Carceller.
Centro Cultural Montehermoso. Vitoria-Gasteiz, Spain

Dictadura, Arte y Archivo
Casa Amèrica Catalunya. Barcelona, Spain

Infraestructuras Emergentes
Encuentros internacionales sobre gestión y creación artística independiente
MUViM. Valencia, Spain

2007
La desmaterialización de las aulas
transversalia. Centro Párraga. Murcia, Spain

Encuentro en teoría
Reflexiones sobre la hospitalidad desde las Prácticas Artísticas Contemporáneas
MDE07. Medellín. Colombia

Un mundo sin copyright
Centro de Cultura Contemporánea de Barcelona CCCB. Barcelona, Spain

2006
INTERACCIÓ’06
Políticas culturales de proximidad
Centro de Estudios y Recursos Culturales (CERC). Barcelona, Spain

404 Object not found Symposium
Art Center Nabi. Seoul, South Korea

VISIBLE/INVISIBLE.
L’ART CONTEMPORANI I ELS MITJANS DE COMUNICACIÓ.
Centre de Creació i Pensament Contemporani. Mataró, Spain

Arte: identidade e globalizació
Presidencia del Consello da Cultura
Consello da Cultura Galega (CCG). Santiago de Compostela,Spain

Los Materiales del Artista (The Materials of the Artist)
Centro Cultural Conde Duque. Madrid, Spain

La función de los blogs en el sector cultural
Casa de América. Madrid, Spain

Arte y política.
Muvim. Valencia, Spain

Comunidades on y offline.
La inteligencia colectiva a través de los blogs.
Centro José Guerrero. Granada, Spain

¿Preguntas reales o preguntas retóricas? Ficciones y relatos en torno al alcance y los agentes de la educación artística.
CGAC. Centro Gallego de Arte Contemporáneo. Santiago de Compostela, Spain

Taller de Arte Público L.Q.N.H. celebrada en el CAC
Málaga, Spain

S.A. (Su)Ciudad Anónima,
Zaragoza, Spain

En Abierto, ¿Interactivos?.
Medialab Madrid, Centro Cultural Conde Duque. Madrid, Spain

Arte Ilegal
Copyfight. CASM. Barcelona, Spain

2005
Estrategias para entrar y salir de ARCO.
Las nuevas relaciones entre arte y economia
MACBA
Barcelona, Spain

Jornadas sobre  Eusebio Sempere y el Centro de Cálculo.
MUA Universidad Alicante.
Alicante, Spain

“La audiovisualización del arte”
Mediateca La Caixa
Caixa Forum
Barcelona, Spain

Usos críticos de la tecnología.
Centro Cultural parque de España
CCPE, AECI
Rosario. Argentina

Séptimas Jornadas de arte y medios digitales
CCEC, UNC, UBP,Esc de Artes UNC
Cordoba, Argentina

Jóvenes y consumo
Universidad de Alicante. Universidad de Verano Rafael Altamira. Alicante, Spain

QUAM 05 . MIND THE GAP.
Quincena de Arte de Montesquiu.
FÒRUM. Castillo de Montesquiu. Barcelona, Spain

2004
INTERACCIÓ’04
Políticas culturales de proximidad
Centro de Estudios y Recursos Culturales (CERC). Barcelona, Spain

SITAC
Third International Symposium on Contemporary Art Theory
Teatro de los Insurgentes. Mexico DF, Mexico

Dimensiones Variables
Espai01. Olot, Spain

“Mundos Digitales”.
Centro Galego de Artes de la Imaxe
Univ. de A Coruña. La Coruña, Spain

hackers.
El Arte de la abstracción
Museo Nacional de Arte Reina Sofia. Madrid, Spain

Art & Artificial Life Internacional.
Telefonica foundation. Madrid, Spain

PROCESSOS_OBERTS
Tarrasa, Spain

2003
Sonar 03.
El Taller, Hangar. Barcelona, Spain

Foro Cam, Alicante, Spain

Hangar, Barcelona, Spain

2002
Canarias en la red
Las Palmas de Gran Canaria, Spain

Hull Time Based Arts
rootx. HULL, UK

Universidad Valencia
Valencia, Spain

emoção art.ficial
Itaú Cultural. Saõ Paulo, Brasil

Centro Cultural Conde Duque
Madrid, Spain

Trespassing Space
Manifesta 4. Frankfurt, Germany

L’Educació de l’ Art Avu
Centro Cívico de Sant Andreu. Barcelona, Spain

Jornadas Educación
Castellón, Spain

Intimate Technologies
The Banff Centre, Canada

Centrodearte.com
Madrid, Spain

Fundaciò Miro
Barcelona, Spain

2001
transmediale.01,
Berlin, Germany

Annual report 2000
Fundació La Caixa. Barcelona, Spain

2000
Atelier North
Oslo, Norway

Digital is not analog
Bologna, Italy

De Appel Foundation
Amsterdam, Holland

La Sociedad Informacional
Universidad Alicante. Bellas Artes de Altea. Alicante, Spain

Tech_nicks
Site Gallery. Sheffield, UK

Access Space
Sheffield, UK

1999
New Media Art
TVVV.plotas. artist.media.communication
Vilnius, Lithuanian

Navigating Intelligence: A Banff Summit,
The Banff Centre, Canada

Expo Destructo/The exhibition
Post-Media Pressure, Open Gallery, Londres, UK

Vértigos: artes audiovisuales on-line/off-line
INJUVE. Madrid, Spain

Quinzena d’Art de Montesquiu
Castillo de Montesquiu, Barcelona, Spain

The Next 5 Minutes 3
Post Governmental Organisation/PGO Project
Amsterdam, Holland

Podium
hARTware projekte. Dortmund, Germany

1998
Hypertribes
The Lovebytes Digital Arts Festival 1998. Sheffield, UK

Virtual Revolutions
V2_Organisation. Rotterdam, Holland

1996
Künstlerhaus
Dortmund, Germany

1997
Anti with E conferences
NetPolitics, Backspace. London, UK

Take care with your language
Trade Mark project, CERN
(European Lab for Network Collision)

1994
Video Independiente en la Comunidad Valenciana
Club Diario Levante. Valencia, Spain

Urban interventions
Arteleku
San Sebastián, Spain

1993
6 artístas de video español a iberoamerica
IVAM, Instituto Valenciano de Arte Moderno. Valencia, Spain

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