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	<title>X-Devian &#8211; Daniel G. Andújar Archive</title>
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	<description>by Technologies To The People</description>
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		<title>TOOLS OF DISTORTED CREATIVITY Transmediale 2013 BWPWAP Berlin/DE:29.01-03.02.2013</title>
		<link>https://danielandujar.org/2013/01/25/tools-of-distorted-creativity-transmediale-2013-bwpwap-berlinde29-01-03-02-2013/</link>
					<comments>https://danielandujar.org/2013/01/25/tools-of-distorted-creativity-transmediale-2013-bwpwap-berlinde29-01-03-02-2013/#respond</comments>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Fri, 25 Jan 2013 10:28:44 +0000</pubDate>
				<category><![CDATA[English]]></category>
		<category><![CDATA[2013]]></category>
		<category><![CDATA[Berlin]]></category>
		<category><![CDATA[Jacob Lillemose]]></category>
		<category><![CDATA[Transmediale]]></category>
		<category><![CDATA[X-Devian]]></category>
		<guid isPermaLink="false">https://danielandujar.org/?p=1377</guid>

					<description><![CDATA[[youtube]http://youtu.be/xh3OMX2Ixxs[/youtube] Transmediale 2013 BWPWAP Berlin/DE:29.01-03.02.2013 &#160; To a man with a hammer, everything looks like a nail. – Mark TwainSoftware is mind control—get some. – i/o/d Through a selection of 13 artists, Tools of Distorted Creativity questions the notion of creativity that has been instrumental to the development of the personal computer, from its first stationary instantiations in the [&#8230;]]]></description>
		
					<wfw:commentRss>https://danielandujar.org/2013/01/25/tools-of-distorted-creativity-transmediale-2013-bwpwap-berlinde29-01-03-02-2013/feed/</wfw:commentRss>
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			</item>
		<item>
		<title>Banquete nodos y redes, media art spagnola</title>
		<link>https://danielandujar.org/2008/09/08/banquete-nodos-y-redes-media-art-spagnola/</link>
					<comments>https://danielandujar.org/2008/09/08/banquete-nodos-y-redes-media-art-spagnola/#respond</comments>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Mon, 08 Sep 2008 10:34:55 +0000</pubDate>
				<category><![CDATA[Italiano]]></category>
		<category><![CDATA[2008]]></category>
		<category><![CDATA[Article]]></category>
		<category><![CDATA[Banquete]]></category>
		<category><![CDATA[Laboral]]></category>
		<category><![CDATA[X-Devian]]></category>
		<category><![CDATA[neural]]></category>
		<guid isPermaLink="false">https://danielandujar.org/?p=644</guid>

					<description><![CDATA[Vito Campanelli, neural Banquete, mostra giunta alla terza edizione al LABoral di Gijón, è un importante occasione per far il punto sullo stato dell&#8217;arte della scena spagnola. La curatrice Karin Ohlenschläger ha infatti proposto trenta artisti riconducibili a tale area geografica: uno sforzo organizzativo imponente per una mostra che, a partire da marzo 2009, approderà [&#8230;]]]></description>
		
					<wfw:commentRss>https://danielandujar.org/2008/09/08/banquete-nodos-y-redes-media-art-spagnola/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>Banquete nodos y redes, Spanish media art</title>
		<link>https://danielandujar.org/2008/09/03/banquete-nodos-y-redes-spanish-media-art/</link>
					<comments>https://danielandujar.org/2008/09/03/banquete-nodos-y-redes-spanish-media-art/#respond</comments>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Wed, 03 Sep 2008 10:29:05 +0000</pubDate>
				<category><![CDATA[English]]></category>
		<category><![CDATA[2009]]></category>
		<category><![CDATA[Article]]></category>
		<category><![CDATA[Banquete]]></category>
		<category><![CDATA[Exhibition]]></category>
		<category><![CDATA[Laboral]]></category>
		<category><![CDATA[Vito Campanelli]]></category>
		<category><![CDATA[X-Devian]]></category>
		<category><![CDATA[neural]]></category>
		<guid isPermaLink="false">https://danielandujar.org/?p=642</guid>

					<description><![CDATA[Vito Campanelli, neural The Banquete project is a series of exhibitions which promote the Spanish state-of-the-art scene. This year&#8217;s installment (the third) took place at the Laboral in Gijon. The project is very well organised and succeeds in bringing people from disparate places together. The thirty artists selected by curator Karin remains the development of [&#8230;]]]></description>
		
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			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>&#8220;Un arte que pretende hacer visible lo invisible&#8221;</title>
		<link>https://danielandujar.org/2008/06/10/un-arte-que-pretende-hacer-visible-lo-invisible/</link>
					<comments>https://danielandujar.org/2008/06/10/un-arte-que-pretende-hacer-visible-lo-invisible/#respond</comments>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Tue, 10 Jun 2008 11:33:38 +0000</pubDate>
				<category><![CDATA[Español]]></category>
		<category><![CDATA[2008]]></category>
		<category><![CDATA[Article]]></category>
		<category><![CDATA[Banquete]]></category>
		<category><![CDATA[Exhibition]]></category>
		<category><![CDATA[Gijón]]></category>
		<category><![CDATA[Karin Ohlenschläger]]></category>
		<category><![CDATA[Laboral]]></category>
		<category><![CDATA[X-Devian]]></category>
		<category><![CDATA[enfocarte.com]]></category>
		<category><![CDATA[reviews about Daniel G. Andújar]]></category>
		<guid isPermaLink="false">https://danielandujar.org/?p=298</guid>

					<description><![CDATA[Banquete_nodos y redes Interacciones entre arte-ciencia-tecnología-sociedad en la creación digital en España enfocarte.com En la década de los sesenta Edgar Morín comenzó una serie de investigaciones experimentales en el campo de lo social bajo las cuales vislumbró la incipiente idea de la necesidad de un nuevo paradigma transversal que involucrara los más diversos campos del [&#8230;]]]></description>
		
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			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>Fri software på overfladen, bag skærmen og i et kulturelt kalejdoskop: X-Devian</title>
		<link>https://danielandujar.org/2007/07/05/fri-software-pa-overfladen-bag-sk%c3%a6rmen-og-i-et-kulturelt-kalejdoskop-x-devian/</link>
					<comments>https://danielandujar.org/2007/07/05/fri-software-pa-overfladen-bag-sk%c3%a6rmen-og-i-et-kulturelt-kalejdoskop-x-devian/#respond</comments>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Thu, 05 Jul 2007 22:03:01 +0000</pubDate>
				<category><![CDATA[Dansk]]></category>
		<category><![CDATA[2007]]></category>
		<category><![CDATA[Aarhus]]></category>
		<category><![CDATA[Article]]></category>
		<category><![CDATA[Community]]></category>
		<category><![CDATA[Copyright]]></category>
		<category><![CDATA[Distribution]]></category>
		<category><![CDATA[Exhibition]]></category>
		<category><![CDATA[Free software]]></category>
		<category><![CDATA[Free-culture]]></category>
		<category><![CDATA[GNU/Linux]]></category>
		<category><![CDATA[Hack]]></category>
		<category><![CDATA[Information Society]]></category>
		<category><![CDATA[Intellectual Property]]></category>
		<category><![CDATA[Jacob Lillemose]]></category>
		<category><![CDATA[X-Devian]]></category>
		<guid isPermaLink="false">https://danielandujar.org/2007/07/05/fri-software-pa-overfladen-bag-sk%c3%a6rmen-og-i-et-kulturelt-kalejdoskop-x-devian/</guid>

					<description><![CDATA[[Essay] Jacob Lillemose fortæller i dette essay om Daniel Garcia Andújars installation X-Devian. The New Technologies To The People System og om baggrunden for dette værk Af Jacob Lillemose Foto: Århus Kunstbygning Udstillingen X-Devian. The New Technologies To The People System blev vist i Århus Kunstbygning fra 12. maj til 10. juni 2007 www.aarhuskunstbygning.dk &#160; [&#8230;]]]></description>
		
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			</item>
		<item>
		<title>Free Software on the Surface, Behind the Screen and in a Cultural Kaleidoscope:  X-Devian.</title>
		<link>https://danielandujar.org/2007/06/10/free-software-on-the-surface-behind-the-screen-and-in-a-cultural-kaleidoscope-x-devian/</link>
					<comments>https://danielandujar.org/2007/06/10/free-software-on-the-surface-behind-the-screen-and-in-a-cultural-kaleidoscope-x-devian/#respond</comments>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Sun, 10 Jun 2007 14:33:01 +0000</pubDate>
				<category><![CDATA[English]]></category>
		<category><![CDATA[2007]]></category>
		<category><![CDATA[Aarhus]]></category>
		<category><![CDATA[Article]]></category>
		<category><![CDATA[Artistic practice]]></category>
		<category><![CDATA[Community]]></category>
		<category><![CDATA[Copyright]]></category>
		<category><![CDATA[Distribution]]></category>
		<category><![CDATA[Exhibition]]></category>
		<category><![CDATA[Free software]]></category>
		<category><![CDATA[Free-culture]]></category>
		<category><![CDATA[GNU/Linux]]></category>
		<category><![CDATA[Hack]]></category>
		<category><![CDATA[Information Society]]></category>
		<category><![CDATA[Intellectual Property]]></category>
		<category><![CDATA[Jacob Lillemose]]></category>
		<category><![CDATA[Operating System]]></category>
		<category><![CDATA[X-Devian]]></category>
		<guid isPermaLink="false">https://danielandujar.org/2008/01/10/free-software-on-the-surface-behind-the-screen-and-in-a-cultural-kaleidoscope-x-devian/</guid>

					<description><![CDATA[The New Technologies To The People® System By Jacob Lillemose In 1999, when the art and technology festival Ars Electronica awarded The Golden Nica, first prize in the ”.net” category, to the programmer Linus Torvalds for his development of the Linux operating system, it was pointing in general to the relationship between free software and [&#8230;]]]></description>
		
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			</item>
		<item>
		<title>Joves artistes utilitzen el llenguatge dels mitjans de comunicació per analitzar-los</title>
		<link>https://danielandujar.org/2005/06/10/joves-artistes-utilitzen-el-llenguatge-dels-mitjans-de-comunicacio-per-analitzar-los/</link>
					<comments>https://danielandujar.org/2005/06/10/joves-artistes-utilitzen-el-llenguatge-dels-mitjans-de-comunicacio-per-analitzar-los/#respond</comments>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Fri, 10 Jun 2005 12:14:06 +0000</pubDate>
				<category><![CDATA[Català]]></category>
		<category><![CDATA[2005]]></category>
		<category><![CDATA[Andreas M. Kaufmann]]></category>
		<category><![CDATA[Fundaciò La Caixa]]></category>
		<category><![CDATA[Montse Badia]]></category>
		<category><![CDATA[Paisatges mediátics]]></category>
		<category><![CDATA[X-Devian]]></category>
		<guid isPermaLink="false">https://danielandujar.org/2005/06/10/joves-artistes-utilitzen-el-llenguatge-dels-mitjans-de-comunicacio-per-analitzar-los/</guid>

					<description><![CDATA[La Caixa Diari de Girona 10-6-2005 CRISTINA VALENTÍ, GIRONA En un moment de la història en què les guerres esclaten en horari de màxima audiència, les operacions quirúrgiques es transmeten en directe, embarassades lloguen les seves panxes per instal·lar-hi publicitat i els futbolistes són més coneguts pel seu glamour que pel seu art tocant una [&#8230;]]]></description>
		
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			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>Valencia en Stuttgart</title>
		<link>https://danielandujar.org/2005/06/03/valencia-en-stuttgart/</link>
					<comments>https://danielandujar.org/2005/06/03/valencia-en-stuttgart/#respond</comments>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Fri, 03 Jun 2005 17:34:36 +0000</pubDate>
				<category><![CDATA[Español]]></category>
		<category><![CDATA[2005]]></category>
		<category><![CDATA[Activism]]></category>
		<category><![CDATA[Hans D. Christ]]></category>
		<category><![CDATA[Iris Dressler]]></category>
		<category><![CDATA[On Difference]]></category>
		<category><![CDATA[Politics]]></category>
		<category><![CDATA[Stuttgart]]></category>
		<category><![CDATA[Valencia]]></category>
		<category><![CDATA[WKS]]></category>
		<category><![CDATA[X-Devian]]></category>
		<category><![CDATA[Álvaro de los Ángeles]]></category>
		<guid isPermaLink="false">https://danielandujar.org/2005/06/03/valencia-en-stuttgart/</guid>

					<description><![CDATA[by Álvaro de loÁngeles Levante EMV  Durante el fin de semana del 20 al 22 de mayo se celebró en la ciudad alemana de Stuttgart un simposio bajo el título On Difference #1. Local Contexts, Hybrid Spaces (Sobre la diferencia #1. Contextos locales, espacios híbridos), junto con una exposición que se extenderá hasta el 31 [&#8230;]]]></description>
		
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			</item>
		<item>
		<title>Crítica de la simulación de las libertades</title>
		<link>https://danielandujar.org/2004/02/10/critica-de-la-simulacion-de-las-libertades/</link>
					<comments>https://danielandujar.org/2004/02/10/critica-de-la-simulacion-de-las-libertades/#respond</comments>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Tue, 10 Feb 2004 11:55:58 +0000</pubDate>
				<category><![CDATA[Español]]></category>
		<category><![CDATA[2004]]></category>
		<category><![CDATA[David Santaeulària]]></category>
		<category><![CDATA[Espai ZERO1]]></category>
		<category><![CDATA[INDIVIDUAL - CITIZEN REPUBLIC PROJECT™]]></category>
		<category><![CDATA[Olot]]></category>
		<category><![CDATA[Operating System]]></category>
		<category><![CDATA[Valentin Roma]]></category>
		<category><![CDATA[X-Devian]]></category>
		<category><![CDATA[Álvaro de los Ángeles]]></category>
		<guid isPermaLink="false">https://danielandujar.org/2004/02/10/critica-de-la-simulacion-de-las-libertades/</guid>

					<description><![CDATA[Álvaro de los Ángeles Daniel G. Andújar. Individual Citizen Republic Project: EL SISTEMA. Technologies To The People &#8211; Espai ZER01, Olot, diciembre 2003 &#8211; febrero 2004 La cita que antecede a los Comentarios sobre la Sociedad del Espectáculo, de Guy Debord, bien podría tomarse como una de las claves en la estrategia de la resistencia, [&#8230;]]]></description>
		
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			</item>
		<item>
		<title>Dispositivos estéticos de participación social</title>
		<link>https://danielandujar.org/2004/01/28/dispositivos-esteticos-de-participacion-social/</link>
					<comments>https://danielandujar.org/2004/01/28/dispositivos-esteticos-de-participacion-social/#respond</comments>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Wed, 28 Jan 2004 11:43:41 +0000</pubDate>
				<category><![CDATA[Español]]></category>
		<category><![CDATA[2004]]></category>
		<category><![CDATA[Activism]]></category>
		<category><![CDATA[David Santaeulària]]></category>
		<category><![CDATA[Dimensions variables]]></category>
		<category><![CDATA[Espai ZERO1]]></category>
		<category><![CDATA[Free software]]></category>
		<category><![CDATA[Hack]]></category>
		<category><![CDATA[INDIVIDUAL - CITIZEN REPUBLIC PROJECT™]]></category>
		<category><![CDATA[La Vanguardia]]></category>
		<category><![CDATA[Mery Cuesta]]></category>
		<category><![CDATA[Olot]]></category>
		<category><![CDATA[Roc Parés]]></category>
		<category><![CDATA[Technologies To The People]]></category>
		<category><![CDATA[Valentin Roma]]></category>
		<category><![CDATA[X-Devian]]></category>
		<guid isPermaLink="false">https://danielandujar.org/2004/01/28/dispositivos-esteticos-de-participacion-social/</guid>

					<description><![CDATA[Espai Zer01 Olot El Espai Zero1 del Museu Comarcal de la Garrotxa lanza una atrevida apuesta con su ciclo “Dimensions variables”, que abre Daniel G. Andújar con una instalación que sorprende por su creatividad El proyecto cuestiona, mediante la parodia, un arte a la medida de las instituciones y del mercado Suplement Culturals. La Vanguardia [&#8230;]]]></description>
		
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