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	<title>Representation &#8211; Daniel G. Andújar Archive</title>
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		<title>Un castillo en ruinas, la decodificación del Imperio</title>
		<link>https://danielandujar.org/2008/02/19/un-castillo-en-ruinas-la-decodificacion-del-imperio/</link>
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		<pubDate>Tue, 19 Feb 2008 11:45:26 +0000</pubDate>
				<category><![CDATA[Español]]></category>
		<category><![CDATA[2007]]></category>
		<category><![CDATA[Activism]]></category>
		<category><![CDATA[Alberto López Cuenca]]></category>
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					<description><![CDATA[Daniel G. Andújar Siguiendo el buen ejemplo de la sociedades capitalistas desarrolladas, la actividad terciaria, la prestación de servicios, se ha convertido en uno de los sectores clave de la economía de este país (España). Diría más, los servicios de ocio y turismo se han convertido en una necesidad, hasta el punto de convertirse en [&#8230;]]]></description>
		
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		<title>Creating a surrounding world</title>
		<link>https://danielandujar.org/2008/01/10/creating-a-surrounding-world/</link>
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		<pubDate>Thu, 10 Jan 2008 14:37:22 +0000</pubDate>
				<category><![CDATA[English]]></category>
		<category><![CDATA[2006]]></category>
		<category><![CDATA[Article]]></category>
		<category><![CDATA[Copyright]]></category>
		<category><![CDATA[Exhibition]]></category>
		<category><![CDATA[Hack]]></category>
		<category><![CDATA[HackLandscape]]></category>
		<category><![CDATA[Horacio Fernández]]></category>
		<category><![CDATA[Information Society]]></category>
		<category><![CDATA[Landscape]]></category>
		<category><![CDATA[Madrid]]></category>
		<category><![CDATA[PHE06]]></category>
		<category><![CDATA[PHotoEspaña]]></category>
		<category><![CDATA[Representation]]></category>
		<category><![CDATA[Simulation]]></category>
		<category><![CDATA[Truth]]></category>
		<category><![CDATA[reviews about Daniel G. Andújar]]></category>
		<category><![CDATA[Álvaro de los Ángeles]]></category>
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					<description><![CDATA[by Álvaro de los Ángeles, 2006 Arcades first appeared in Paris in the first third of the nineteenth century and became increasingly commonplace, as Walter Benjamin points out, with the growth of the textile trade, which marked the beginning of a hitherto unknown relationship between the inhabitant as a customer/buyer (user) and the city. Glass, [&#8230;]]]></description>
		
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		<title>Estética de la reaparición</title>
		<link>https://danielandujar.org/2007/04/21/estetica-de-la-reaparicion/</link>
					<comments>https://danielandujar.org/2007/04/21/estetica-de-la-reaparicion/#respond</comments>
		
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		<pubDate>Sat, 21 Apr 2007 17:30:13 +0000</pubDate>
				<category><![CDATA[Español]]></category>
		<category><![CDATA[2007]]></category>
		<category><![CDATA[Activism]]></category>
		<category><![CDATA[Article]]></category>
		<category><![CDATA[Artistic practice]]></category>
		<category><![CDATA[Global]]></category>
		<category><![CDATA[Iván de la Nuez]]></category>
		<category><![CDATA[Postcapital]]></category>
		<category><![CDATA[Representation]]></category>
		<category><![CDATA[muro de Berlín]]></category>
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					<description><![CDATA[Iván de la Nuez Babelia, El País Entre la caída del muro de Berlín, en 1989, y el atentado a las Torres Gemelas de Nueva York, en 2001, el arte vivió un particular tránsito estético. De entrada se han reactivado preguntas básicas como si el arte es arte por sí mismo o necesita que alguien [&#8230;]]]></description>
		
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		<title>The Manfred and Wilhelm Beutel&#8217;s Photo Collection</title>
		<link>https://danielandujar.org/1998/01/25/the-manfred-and-wilhelm-beutels-photo-collection/</link>
					<comments>https://danielandujar.org/1998/01/25/the-manfred-and-wilhelm-beutels-photo-collection/#respond</comments>
		
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		<pubDate>Mon, 26 Jan 1998 07:31:45 +0000</pubDate>
				<category><![CDATA[Deutsch]]></category>
		<category><![CDATA[1998]]></category>
		<category><![CDATA[Dortmund]]></category>
		<category><![CDATA[Dortmunder U]]></category>
		<category><![CDATA[Hack]]></category>
		<category><![CDATA[Hans D. Christ]]></category>
		<category><![CDATA[Hartware MedienKunstVerein]]></category>
		<category><![CDATA[Iris Dressler]]></category>
		<category><![CDATA[Public Intervention]]></category>
		<category><![CDATA[Public Space]]></category>
		<category><![CDATA[Representation]]></category>
		<category><![CDATA[Reservate der Sehnsucht]]></category>
		<category><![CDATA[Simulation]]></category>
		<category><![CDATA[Technologies To The People]]></category>
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					<description><![CDATA[Daniel García Andújar, E, 1998 CD-ROM, 50 gerahmte digitale Prints Koproduktion: Hartware MedienKunstVerein Reservate der Sehnsucht, Dortmunder U, 1998 Im Rahmen der Ausstellung &#8220;Reservate der Sehnsucht&#8221; in der ehemaligen Union Brauerei wurde die von Daniel García Andùjar entdeckte Fotosammlung der einstigen Brauereiangestellten Wilhelm und Manfred Beutel präsentiert. Die Sammlung dokumentiert historische Ereignisse aus Dortmund, die [&#8230;]]]></description>
		
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		<title>The Manfred and Wilhelm Beutel Photo Collection</title>
		<link>https://danielandujar.org/1998/01/25/the-manfred-and-wilhelm-beutel-photo-collection/</link>
					<comments>https://danielandujar.org/1998/01/25/the-manfred-and-wilhelm-beutel-photo-collection/#respond</comments>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Sun, 25 Jan 1998 16:32:42 +0000</pubDate>
				<category><![CDATA[English]]></category>
		<category><![CDATA[1998]]></category>
		<category><![CDATA[Dortmund]]></category>
		<category><![CDATA[Dortmunder U]]></category>
		<category><![CDATA[Hack]]></category>
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		<category><![CDATA[Hartware MedienKunstVerein]]></category>
		<category><![CDATA[Iris Dressler]]></category>
		<category><![CDATA[Public Intervention]]></category>
		<category><![CDATA[Public Space]]></category>
		<category><![CDATA[Representation]]></category>
		<category><![CDATA[Reservate der Sehnsucht]]></category>
		<category><![CDATA[Simulation]]></category>
		<category><![CDATA[Technologies To The People]]></category>
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					<description><![CDATA[Daniel García Andújar: The Manfred and Wilhelm Beutel Photo Collection, 1998 CD-ROM, 50 framed digital prints Coproduction: Hartware MedienKunstVerein Reservate der Sehnsucht, Dortmunder U, 1998 In the course of the &#8220;Reservate der Sehnsucht&#8221; exhibition in the former Union brewery, Daniel García Andùjar presented a photograph collection he discovered. Compiled by the former brewery workers Wilhelm [&#8230;]]]></description>
		
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