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	<title>Felix Stalder &#8211; Daniel G. Andújar Archive</title>
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		<title>Código abierto. El sistema del arte tras la red</title>
		<link>https://danielandujar.org/2015/03/04/codigo-abierto-el-sistema-del-arte-tras-la-red/</link>
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		<pubDate>Wed, 04 Mar 2015 17:24:39 +0000</pubDate>
				<category><![CDATA[Español]]></category>
		<category><![CDATA[2015]]></category>
		<category><![CDATA[Alberto López Cuenca]]></category>
		<category><![CDATA[Conferencia]]></category>
		<category><![CDATA[Felix Stalder]]></category>
		<category><![CDATA[Geert Lovink]]></category>
		<category><![CDATA[Marcell Mars]]></category>
		<category><![CDATA[Medialab]]></category>
		<category><![CDATA[Museo Nacional Centro de Arte Reina Sofí­a]]></category>
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					<description><![CDATA[26 &#8211; 27 marzo, 2015 &#8211; 18:00 h Lu ci farrah abraham nude / Edificio Nouvel, Auditorio 200 y Medialab Prado Internet ha producido nuevos comportamientos, subjetividades e instituciones vinculadas a otra manera de ser y hacer. Este seminario debate cómo estos cambios desequilibran categorías artísticas establecidas, el autor o la circulación de la obra [&#8230;]]]></description>
		
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		<title>Shared Digital Futures</title>
		<link>https://danielandujar.org/2013/05/28/shared-digital-futures/</link>
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		<pubDate>Tue, 28 May 2013 17:46:07 +0000</pubDate>
				<category><![CDATA[English]]></category>
		<category><![CDATA[2013]]></category>
		<category><![CDATA[Conferencia]]></category>
		<category><![CDATA[Emilie Kleinszig]]></category>
		<category><![CDATA[Felix Stalder]]></category>
		<category><![CDATA[Konrad Becker]]></category>
		<category><![CDATA[Kunsthalle Wien]]></category>
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		<category><![CDATA[Vienna]]></category>
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					<description><![CDATA[Date: June 12/14/15, 2013 Location: Vienna, Kunsthalle Wien Karlsplatz, MAK, Rhiz The New Access to Culture is a workshop and public debate on Austrian cultural institutions and their digital future. (June 12 MAK Wien) More → Shared Digital Futures is a conference that explores the impact of digital network technologies for cultural production. (June 14/15  [&#8230;]]]></description>
		
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		<title>Kritische Strategien zu Kunst und Urheberrecht</title>
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					<comments>https://danielandujar.org/2010/04/03/kritische-strategien-zu-kunst-und-urheberrecht/#respond</comments>
		
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		<pubDate>Sat, 03 Apr 2010 15:32:51 +0000</pubDate>
				<category><![CDATA[Deutsch]]></category>
		<category><![CDATA[2010]]></category>
		<category><![CDATA[Felix Stalder]]></category>
		<category><![CDATA[Kunstforum]]></category>
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		<category><![CDATA[net.art]]></category>
		<category><![CDATA[reviews about Daniel G. Andújar]]></category>
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					<description><![CDATA[Felix Stalder Publiziert in: Kunstforum, Bd. 201 (März/April, 2010), s.110-117 Seit bald 150 Jahren soll das moderne Urheberrecht (UHR) den Umgang mit „Werke[n] der Literatur, Wissenschaft und Kunst“ (§ 1, des aktuellen deutschen Urheberrechtsgesetz) regeln. Rund 100 Jahre zurück reichen die Anfänge der avantgardistischen Subversion bürgerlich-romantischer Konzeptionen von „KünstlerIn“ und „Werk“, die auch dem UHR [&#8230;]]]></description>
		
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		<title>Felix Stalder: Remixing and the Culture of Networked Society</title>
		<link>https://danielandujar.org/2009/01/14/felix-stalder-remixing-and-the-culture-of-networked-society/</link>
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		<pubDate>Wed, 14 Jan 2009 18:02:03 +0000</pubDate>
				<category><![CDATA[English]]></category>
		<category><![CDATA[2009]]></category>
		<category><![CDATA[Felix Stalder]]></category>
		<category><![CDATA[Lecture]]></category>
		<category><![CDATA[Networked Society]]></category>
		<category><![CDATA[Postcapital]]></category>
		<category><![CDATA[Workshop]]></category>
		<category><![CDATA[Württembergischer Kunstverein in Stuttgart]]></category>
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					<description><![CDATA[Lecture (german) Wednesday, January 14, 2009, 7 pm Abstract Remixing—the use of existing works to create new works—is more than just a style of electronic music. Remixing rather characterizes a meta-method that is becoming increasingly pivotal to all cultural practices. While many avant-garde movements of the twentieth century were concerned with processes of authorship decentering, [&#8230;]]]></description>
		
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